Netflix UK
Reviews and recommendations of what’s good and new on Netflix UK – and what to avoid.
Giri/Haji: One of the year’s most original TV shows
October 17, 2019 | David Farnor
One of the year’s most original and unique series, this globe-trotting, culture-blending thriller is a remarkable piece of TV.Read More
Netflix UK film review: Tell Me Who I Am
October 16, 2019 | David Farnor
This powerful, intensely personal documentary about memory, trauma and truth is a difficult but moving watch.Read More
Netflix UK film review: Atlantics (Atlantique)
October 15, 2019 | David Farnor
Mati Diop’s absorbing, atmospheric directorial debut is part melancholic romance, part ghost story.Read More
Netflix UK film review: Wounds
October 14, 2019 | Luke Channell
Director: Babak Anvari Cast: Armie Hammer, Dakota Johnson, Zazie Beetz Certificate: TBC Watch Wounds online in the UK: Netflix UK
Babak Anvari’s first feature, Under the Shadow, brilliantly blended nerve-jangling scares with the oppressive politics of its Iranian setting to … Read More
The Irishman review: A masterclass in restraint
October 13, 2019 | David Farnor
A mature, thoughtful reflection on the consequences of past actions, Scorsese’s patient crime drama is a masterclass in restraint.Read More
Netflix UK film review: Earthquake Bird
October 12, 2019 | David Farnor
Alicia Vikander and Riley Keough deliver strong performances in this atmospheric but hollow psychological thriller.Read More
Netflix UK TV review: El Camino: A Breaking Bad Movie
October 11, 2019 | Andrew Jones
Aaron Paul dominates every frame of this thrilling, tense, funny and sad return for Jesse Pinkman.
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The 90s on Netflix: Casper (1995)
October 11, 2019 | Mark Harrison
Impeccably designed and madly plotted, this cartoonish caper is haunted by its rewrites.Read More
UK TV review: Motherland Season 2
October 7, 2019 | David Farnor
This frank, funny sitcom about parenting is brilliantly written and performed.Read More
Netflix UK film review: In the Tall Grass
October 6, 2019 | Ian Loring
Vincenzo Natali’s adaptation of Stephen King and Joe Hill’s horror story starts out creepy but loses its way.Read More
