The best TV shows and box sets on BBC iPlayer (31st May 2020)
Ivan Radford | On 31, May 2020Reading time: 58 mins
We review the best TV shows and films currently available on BBC iPlayer. (Click here to see our reviews of the best movies on BBC iPlayer.)
For BBC Three recommendations, click here.
Comedy Box Set: Peter Kay’s Car Share
The First Team may be a disappointing comedy, but there are plenty of other options on BBC iPlayer – including a repeat of Peter Kay’s show, which sees John (Kay) and Kayleigh (Sian Gibson), two employees at a supermarket, forced to commute together, takes its time to find the right gear, but once it does, it wins your heart. The series perfectly captures the repetitive routine of their morning travel as it keeps getting disrupted – not by cameos from supporting characters, but by life itself.
Drama Box Set: Unprecedented
Hot on the heels of ITV’s Isolation Stories come a collection of monologues filmed in lockdown that capture the impact of the coronavirus pandemic upon everyday lives. Viral, from Quiz writer James Graham, is a wonderful snapshot of youth in lockdown, while Lennie James is as powerful as ever as a man experiencing homelessness trying to connect with a loved one in a short by Charlene James.
Pick of the Week: Have I Got News for You: Season 59
Have I Got News for You has suffered from seeming dated for several years now, with a formula, guest line-up and world view that hasn’t changed with dramatically changing times. The UK lockdown during the coronavirus pandemic, though, turns out to be just the cure the show needed, with team captains Ian Hislop and Paul Merton beaming in from their living rooms in a five-way video call. The jokes about the news are familiar enough, but the jolt of different circumstances prompts them all to be more candid and off-script, with their simple banter about each others’ homes resulting in the most animated Paul Merton has been on the show in recent memory – and the angriest and most outspoken Ian Hislop has perhaps ever been.
Pick of the Week: Inside the Factory: Keeping Britain Going
Gregg Wallace getting excited about the factory production process remains one of the unlikeliest treats of modern TV, so it’s perfect timing for the Beeb to bring him back at a time of national crisis. In a rather inspired move, this new run of Inside the Factory sees Gregg revisit some of the 37 factories he’s visited before to see what these essential producers of everyday goods are doing to keep up with demand. First up, of course, is a paper mill in Manchester that was already operating at full capacity to meet demand for toilet rolls. When Britons bought 145 million more rolls than usual in March, the factory upped its output from 700,000 rolls a day to 1 million. Gregg video calls the people he met back in 2018 and, cleverly intercut with footage from that trip, he quizzes them now on how they’re coping. The result is a welcome celebration of the kind of vital workers (outside of the NHS) who are keeping society going. Who knew toilet roll could be so inspiring?
Ella Fitzgerald: Just One of Those Things
Tracing the story of Ella Fitzgerald’s life, this excellent documentary explores how her music became a soundtrack for a tumultuous century.
Charlie Brooker’s Antiviral Wipe
Life in lockdown is a strange new world for all of us, but while TV shows have had to change dramatically to continue broadcasting, the return of Charlie Brooker finds him in his natural environment: sitting in a darkened room shouting at the telly. Brooker’s BBC Two series hasn’t been on air in several years, but he’s as fiery as ever, unabashedly criticising the world for its ridiculous idiocy and not holding back his frustration. The result is a chronological countdown of events to date since the coronavirus outbreak, but it’s also a helpful reminder of what’s happened and how, just at a point when routine and concepts of time have been warped. Barry Shitpeas and Philomena Cunk, meanwhile, are as refreshingly daft as ever, with Cunk still brilliant in a short, sharp burst – here, that involves interviewing virologist Prof Andrew Pollard via video call while snacking on her bed. Brooker, of course, refers to the Mitchell and Webb sketch about a post-apocalyptic gameshow to sum up what has become the new normal, but Brooker’s brand of comedy is right at home here – and, if anything, even excels in the format: the best thing he’s ever done is introduce Konnie Huq for some hilariously knowing skits that refer to her time as Blue Peter presenter. Here’s hoping we don’t have to wait for another pandemic for Brooker to return again.
Monkman & Seagull’s Genius Adventures
“Maths is the underpinning of scientific discovery.” That’s the sound of Eric Monkman and Bobby Seagull reuniting to once again travel across Britain. This season, the former University Challenge rivals are exploring scientific breakthroughs from the Industrial Revolution and the Victorian era. In Greenwich, the duo look at the marine chronometer, while embarking on a pedalo ride, before looking at how cotton first came to be mass-produced. The informative insights are coupled with Monkman and Seagull’s winning chemistry, thanks to their shared respect of each other and their joint passion for good old-fashioned knowledge. “We had a great day we did some climbing saw some beautiful views did some science,” says one. “That’s a great day for me.” Well said, that man.
Drama Box Set: McMafia
“I’m a banker, not a gangster.” That’s Alex Godman (James Norton) in McMafia, BBC One’s slick financial-crime drama. It tells of the descent of Alex from one role into another, as the lines between business and breaking the law become blurred in today’s shady, wealth-driven world. Based on Misha Glenny’s non-fiction book from 2008, the fictional show does an impressive job of conveying factual observations with crystal clarity, communicating ideas, insights and complex information without descending into exposition dumps or dictionary definitions. The result is compelling, convincing and cool – sometimes, a little too cool.
David Stratton’s Stories of Australian Cinema
Cinema plays a vital role in how a nation presents and perceives itself. In the case of Australia, with its own unique history, that role is more important than ever – and so, as Australian films and TV increasingly find audiences overseas, and as Australian actors and directors continue to be major forces in Hollywood, this informative tour back through the country’s filmmaking past is a welcome eye-opener.
If you thought Free Solo was impressive, wait until you see this jaw-dropping documentary about Jesse Dufton and his attempt to take on the challenge of becoming the first blind person to lead a climb of the Old Man of Hoy, in Orkney, Scotland. Trusting his hands more than his eyes, he’s a remarkable athlete who inspires with his ambition and ability – and warms your heart with his partnership with his sight guide and fiancee, Molly.
Documentary Box Set: OJ: Made in America
This seven-hour epic documentary puts the history of OJ Simpson into profound, dizzying context.
Romesh Ranganathan’s state-of-the-nation talk show is back for a second season, and, like Brooker, Romesh’s ability to adapt the current situation to his own comedic strengths is brilliant. Romesh has always been one of the best TV comics around thanks to the fact that he is naturally funny, and at his best when he’s simply talking to other people. Having his panel of representatives from across the UK – “Watch Your Language”, “Small Town Girl”, “Technophobe”, and so on – on one big video call is a natural step for the show’s smart and simple format, while his celebrity guests (Danny Dyer and Katherine Ryan) chip in without being allowed to dominate the chat. The result may be Romesh sitting with a TV screen in his garage (and with him mother dialling in remotely), but it is, just for a second, like nothing’s changed at all. Throw in conversations about dating and marriage in lockdown and you’ve got a genuinely funny hour of TV.
A neurotic mid-20s suburbanite is convinced he is destined to be one of the greatest rap stars ever in Dave Burd’s new comedy, which stars Dave Burd as, well, Dave Burd. His rapper name? Lil Dicky. And that gives you a clue what to expect from this FX sitcom, which is built on the viral success Dave had with a rap song several years ago. In the show, that song is about Dave’s genitalia, and what follows is a string of jokes about “Lil Dicky” in all senses of the word. See past that easy gag, though, and this sitcom is a wonderfully observed portrait of middle-class, white privilege, male ego (Taylor Misiak’s patient girlfriend, Ally, is far more rounded than more other shows would make her) and – just maybe – some actual rapping talent. You suspect that it might be more interesting to have the show told from the perspective of Ally or one of the rappers he tries to ingratiate himself with. Don’t expect that to stop you cringe-chuckling, though.
Eurovision may be cancelled, but don’t let that stop Eurovision from trying to bring the world together in song – and this two-hour, non-competitive whistle-stop tour of the songs that would have been performed in the contest proper may be lacking the fun of the live arena, but does still capture the madness of certain songs (just wait for Russia’s entry) and give Graham Norton a chance to be simultaneously sarcastic and sentimental. The result, climaxing in a singalong of Katrina and the Waves’ Love Shine a Light, is surprisingly moving and enough to give Eurovision fans a fix for 12 months – plus none of the embarrassment of the UK being given nil points.
Drama Box Set: The A Word: Season 3
Peter Bowker’s drama remains one of the BBC’s best achievements today, bringing the subject of a family raising a young boy with autism into mainstream, everyday conversation without making the slightest fuss about it. There’s no glamour, over-egged drama, quirky humour or other flourishes: just simply told, well-acted human stories with a heartfelt realism. Season 3 brings us forwards two years in the life of Joe (the excellent Max Vento), and he’s now having to adjust to the fact that his parents have divorced. Routine and stability are almost impossible to maintain while he moves from one house – and town – to the next. One thing that hasn’t changed, though, is that Paul (Lee Ingleby) and Alison (Morven Christie) still love him – and are still played superbly by Ingleby and Christie. Their understated but highly moving performances nail the angst and worry of them trying to make new lives by themselves, while still being tied to each other, even more than most parents – and their cautious, polite, sensitive approach is contrasted wonderfully with Christopher Eccleston’s show-stealing turn as the meddling Maurice, who is incapable of not sticking his oar into anything, whether it’s his grandson’s decision to part with his omnipresent headphones, the challenges looming with Joe’s half-sister, Rebecca, or even local firefighting. From the off, it’s clear that his attempt to juggle all this with a new partner will put strain on him this season, and it’s a welcome chance to spend more time with Eccleston’s grounded presence – and testament to how good The A Word is that this opens up even more time for Louise’s son, Ralph, who has Down’s Syndrome and is navigating his own journey to independence and a fresh start. An ensemble drama in the truest sense of the word, this is impeccably sincere telly.
Killing Eve: Season 3
The enjoyably twisted thriller finds a renewed sense of focus in a fun start to its third season. Episodes arrive weekly on Monday mornings, and are repeated on Sunday nights on BBC One. Read our full review
Drama Box Set: Normal People
BBC Three and Hulu’s 12-part adaptation of Sally Rooney’s hit novel is a moving, nuanced and beautiful drama that’s at once smart and sensual. Read our full review here.
Two Minute Masterpiece
You could be forgiven for missing these when they dropped last month, tucked away as they are in the nether regions of BBC Two on BBC iPlayer, but the fourth series of shorts produced and directed by emerging filmmakers in Northern Ireland are worth a few minutes of your time.
The opening film, The Presence of Absence, is an artsy, black-and-white job, which sees a young girl wandering around a forest, occasionally glimpsing an older woman and another mysterious figure. In From His Perspective, a young trans man faces opposition to his transition from his family. Please Introduce Yourself is about the difficulties of communication, as a deaf woman goes to a job interview. The next two films examine different dynamics of father/son relationships – in Cycle, the father of a young child worries that he’s inherited his own father’s violent temper as he sees history repeating itself, while Son focuses on an interview of an older man, who reflects on the loss of his dad when he was a boy. But the final short of the series, Ode, is pure bliss. It films young dancers done up in their glittery costumes and make-up, performing their routines on a housing estate to the soundtrack of Arthur O’Shaughnessy’s poem Ode. As a testament to the power and strength of young women, it’s a moving and uplifting end to an interesting little series. Words: Helen Archer
The Big Night In
Children in Need and Comic Relief join together for the first time to celebrate the key workers saving lives across the country and supporting those in need during the pandemic. Missed the three-hour telethon? Watch the best bits here.
The Great British Sewing Bee
Sometimes, you just need to sit back and watch some people sewing. Thank goodness, then, that the relaxing BBC contest is back, bringing with it a gentle note of competitive creativity. Enter The Great British Sewing Bee, which is back for 12 sewers to best each other through 10 weeks of perplexing patterns, eye-popping transformations and stunning made-to-measure garments. The challenges are accessible – wardrobe staples, wrap skirts and tea dresses – but it’s Joe Lycett’s hosting that makes the programme, bringing an arch wit coupled with genuine enthusiasm for the matter at hand.
Panorama: On the NHS Frontline
In case there’s any doubt of the severity of the national situation, or the pressures the heroes of our NHS workers are under, this Panorama documentary lays them to rest, taking us to the front line at a Coventry hospital four weeks into the lockdown. Grim, important viewing.
Drama Box Set: Taboo
It is 1814 and James Delaney reappears in London, a changed and haunted man, presumed dead in Africa many years before. His return finds his father, Horace Delaney, dead and a country at war with France and the United States. Set to inherit what is left of his father’s shipping empire, James’s arrival not only threatens to disrupt the plans of his half-sister Zilpha and her husband Thorne, but also the ambitions of the mighty East India Company. Tom Hardy swaggers through the web of politics and family tensions with an intensity that makes this atmospheric period drama a riveting, absorbing watch.
Life and Birth
This new six-part series reveals what it really takes to deliver Britain’s next generation, through the eyes of parents and staff at three of Birmingham’s busiest maternity hospitals. Moving, beautiful and ultimately uplifting, this is a feel-good reminder of the brilliance of our national health service, and the miracle of life, at a time when hospitals aren’t treating coronanvirus patients.
A Midsummer Night’s Dream (2016)
When is Shakespeare at his best? When faithfully recited in period costume? Or when transformed into something almost unrecognisably new? If you believe the latter, you’ll be delighted by Russsell T Davies’ enchantingly fresh take on A Midsummer Night’s Dream, which emerges as a celebration of life and imagination.
The BBC’s Culture in Quarantine season is streaming a selections of Shakespeare plays, including the 2015 RSC Othello, which saw Lucian Msamati become the first black actor to play Iago, The Tempest with Colin Morgan and Roger Allam and Christopher Eccleston in Macbeth. All of them are worth watching, particularly Eccleston’s rugged turn as the Scottish man who would be king.
Thrilling Box Set: Dracula
Claes Bang is wonderful in Steven Moffat’s and Mark Gatiss’ bold, inventive and playful take on Bram Stoker’s seminal horror story.
Drama Box Set: Devs
The future is fixed. Everything is determined. Or is it? Those are the kind of questions that Alex “Ex Machina” Garland asks in his latest project, following the dizzyingly ambitious Annihilation. His brilliantly ambiguous tech drama pieces together an existential conundrum from shards of philosophy, conspiracy and espionage thrills, as we follow young Sergei, a programmer who is recruited by the mysterious digital firm Amya. Led by Nick Offerman, who plays its CEO with lots of hair and even more mystery and tragedy, it’s a shady organisation that’s hard at work in its revolutionary examination of free will. But when Sergei disappears, his girlfriend, Lily (the excellent Sonoya Mizuno), begins to look into what exactly he was doing. The result is a wonderfully intriguing thriller with a convincingly chilling cast (including the always-great Alison Pill) and a sinister, eerie vibe that only tightens its claustrophobic grip. All eight episodes are now on BBC iPlayer. Boot up and prepare not to log off for the best part of your weekend.
Dolly Parton: 50 Years at the Opry
Dolly Parton and star guests, including Lady Antebellum and Hank Williams Jr, celebrate her 50 years as the queen of country music – because not only is she clearly country royalty, but a bit of Dolly is also exactly what the world needs right now.
The Mash Report
In contrast to HIGNIFY, The Mash Report has always excelled at rolling with the absurdity of modern existence, and its first remote-hosted episode is a surprisingly slick affair. That’s partly thanks to a pre-filmed segment on Facebook radicalising everyone’s mothers, and partly thanks to the news correspondents’ ability to deliver increasingly daft headlines with a smile – including one brilliant segment involving a monkey. Add in the usual witty back-and-forth between Rachel Parris and Nish Kumar – and the right-wing comedian Geoff Norcott who completes a running joke about Rishi Sunak with aplomb. Kumar’s signature frankness, whether talking about his tiny flat or the fact that these are genuinely scary times, has never been a more welcome presence on our screens.
Limmy’s Homemade Show
Our TV screens are full of a growing number of shows, presenters and formats hurriedly being rewritten and re-conceived for life under coronavirus lockdown. Not so, Limmy, who follows up his pilot for a homemade show with a full season of bizarre comedy that unfolds almost entirely in his flat. Not because of budget or health reasons, but because that’s just the kind of strange man Limmy is. The Scottish comic is as enjoyably surreal as ever, as he gambles the future on whether he can throw a teabag in a mug from across the kitchen and finds intriguing messages on the pavement outside his flat. Some will be puzzled or bored by the weirdness, but for creativity, edgy innovation and sheer, brassy unique identity, it’s a model that other lockdown broadcasts could learn a thing or two from.
Alma’s Not Normal
Sophie Willan stars and writes this pilot for a series about Alma, who tries to get her life back on track after a break-up – but, despite her protestations at the job centre, doesn’t really have the qualifications to get off to the start she wants. Throw in a recovering addict mum and a dab of arson and you’ve got an unusually dark comedy that balances class, mental health and substance abuse with a sharply observed script and some genuine performances from not only Willan but also an unrecognisable Siobhan Finneran. Expect a full series commission in the near future – and expect to look forward to it.
Comedy Box Set: Mister Winner
Spencer Jones is a master at making you laugh out loud through facial expressions and silly noises alone. His new sitcom, then, gets off to a perfect start with a half-hour skit that’s simply and elegantly tailored to his strengths. His loser, Leslie, finds an electronic self-playing piano, and proceeds to trick a restaurant owner into hiring him as a pianist, leading to 30 minutes of increasingly desperate attempts at miming unconvincingly. The funniest thing on TV involving a piano since Black Books. The good news? The whole box set is available right now to cheer up those long self-isolating nights.
Two sides of Glasgow collide in this compelling, wonderfully acted new drama, which sees a teenage girl makes a pact with a wealthy couple to carry their baby, after years of them trying to conceive. 18-year-old Kaya says her motivations are simple – money – but Mirren Mack’s performance is filled with suspicious ticks, while Martin Compston and Sophie Rundle ensure their couple aren’t quite as straight-laced and noble as they appear. The result is a three-hander that leaves us unsure of who to trust and uncertain who’s being honest with whom – expect dark twists aplenty.
Our Girl: Season 4
Michelle Keegan is back again for another tour as Georgie Lane, the determined, smart and tough army medic. The start of Season 4 showcases her calm skills in the face of emergency, but this time in the refreshingly domestic context of a nightclub brawl – and her decision to then move back from normality to Afghanistan means the return to active service has the same impact it had three seasons ago. This time, it brings with it difficult memories of loss, and Keegan sells the emotional toll with a convincing, heartfelt performance that continues to grip.
Mark Kermode’s Secrets of Cinema: Season 2
Accessible, informative and entertaining, Mark Kermode’s fun, insightful series of film analysis is a resource to savour and share. That’s still the case with Season 2, which begins with the flappy-handed critic delving into the super-sized vault of superhero movies that have soared across the big screen over the years. Picking out trends, unearthing less obvious influences and finding parallels in theme and structure, it’s an insightful yet light-hearted watch.
Miss World 1970: Beauty Queens and Bedlam
It’s not often that people describe a Miss World pageant as important, but the 1970 contest was genuinely a cultural milestone, as feminist activists descended upon the Royal Albert Hall to protest in front of an audience of millions. Flour bombs and water pistols were out in force, and they helped to hammer home the message of not treating women as objects – a message that, despite the UK media headlines at the time, helped turn the tide for society. Contributions from co-host Michael Aspel, whose dated views speak for themselves, and a host of contestants who were there at the time bring the vivid occasion to life.
Thrilling Box Set: Spooks: Season 1 to 10
M:I-5. Not 9 to 5. Even the slogan for the BBC espionage series feels quaintly dated, but for all its love of numerical keypad phones and laptops as cutting-edge gizmos, this spy thriller is still grippingly modern, as it never relied on technology to make its programme relevant: the series’ real secret weapon was its focus on character, which was driven by increasingly far-fetched plots. With a cast including David Oyelowo, Richard Armitage, Matthew Macfadyen and Nicola Walker, that means you have a show that’s as hugely entertaining as ever.
Miles Davis: Birth of the Cool
Featuring never-before-seen archival footage, studio outtakes and rare photos, this film tells the story of a horn player, bandleader and innovator who defined not only the genre of jazz but the very adjective from his own album that gives this documentary a title. A must-watch for musicophiles.
Drama Box Set: Noughts + Crosses
We’re in a dream age for dystopian fiction – an ironic paradox if ever there were one – and a golden era for alt-history thrillers. Noughts + Crosses is based on Malorie Blackman’s novel of the same name, first published in 2001. 19 years later, it’s still blisteringly topical and breathtakingly bold. The series introduces us to an alternate 21st century, where the black ruling class – the “Crosses” – lead society and the “Noughts” are the white underclass. Sephy, the daughter of the home secretary, reunites with Callum, a Nought and a friend since childhood. With a spark reignited between them, the stage is set for a star-crossed, socially forbidden romance. It’s a grippingly astute role reversal, and one that the script – plus directors Julian Holmes and Koby Adom – bring to life with immediately convincing, and remarkably detailed, world-building. Segregation, we’re told is over, but the programme shrewdly captures the little ways in which racism is still alive in society, whether it’s interactions with the law or people’s choice of words. The always-excellent Paterson Joseph leads the cast as Sephy’s father, with Peaky Blinders’ Jack Rowan and newcomer Masali Baduza shining as our two young leads. The result is timeless and timely, gripping and heart-wrenching, dazzlingly different and searingly recognisable. There’s never been a better worse time to watch it.
Thrilling box set: Life on Mars
John Simm is great in the role of Sam Tyler, a detective who finds himself transported to the 1970s. Philip Glenister is even better as Gene Hunt, a Manchester police detective who lives up to every stereotype of the period. And then some.
The tile might not be the subtlest in the world, but this BBC documentary series is an entertaining watch thanks to its combination of brassy visual style and solid procedural work. The series follows three murder investigations from their initial arrests to their eventual convictions, giving us a grounded look at the time and legwork it takes for a police case to be closed. Episode 1 charts the crucial first two days of a murder in Southend-on-Sea, while later, we witness the investigation into a double stabbing in Colchester. The emphasis is firmly on the effort involved and the methodical processes followed, which makes for insightful viewing, but it’s the surprisingly bold use of split-screen to capture the evidence board and other parts of the case that gives things a welcome polish.
Comedy Box Set: W1A: Season 1 to 3
“That’s all good, then,” says Ian Fletcher, Head of Values at the BBC after another unproductive group discussion. For anyone who watched mockumentary Twenty Twelve – or saw Season 1 of this Beeb-themed follow-up – Ian Fletcher’s (Hugh Bonneville) defeated catchphrase will fall on familiar ears. What it actually means: absolutely nothing’s good at all.
Following Twenty Twelve, made by the same team, the show takes the same strain of satire to awkward (and amusing) new heights, including visits to the Beeb from Prince Charles and a scandal involving Jeremy Clarkson. It’s no coincidence that the programme is stuffed with plausible story-line, but it’s not the topical plots that make W1A so funny to watch: it’s the constant barrage of double-speak. The cast deliver this intelligently stupid anti-language with wonderfully deadpan performances, from Jessica Hynes’ hilarious PR guru to Hugh Skinner’s endearingly inept intern.
Thrilling box set: Years and Years
Russell T. Davies’ gripping portrait of a family fighting through a changing society is a hauntingly plausible state-of-the-nation thriller.
Drama box set: The Split: Season 2
The Defoe sisters, Hannah (Nicola Walker), Nina (Annabel Scholey) and Rose (Fiona Button) – and their formidable mother Ruth (Deborah Findlay) – are back for another round of legal dramatics on London’s divorce circuit. Hannah and her sisters make for engrossing, compellingly human television. With so much seething distrust, jealousy and resentment simmering under the surface, the fun lies in seeing each relative use their clients as ammunition to snipe at the others, while watching Hannah try to navigate the tensions between her unhappy marriage to Nathan (an excellent Stephen Mangan) and her desire to be with former flame Christie (Barry Atsma), who works with her. Throw in the always-excellent Chukwudi Iwuji as Alex, her boss, and you have a show that’s as gripping as ever. Not caught up with The Split? Don’t miss the chance to catch up with Season 1, also available as a box set.
Inside No. 9: Season 5
Reece Shearsmith and Steve Pemberton’s impeccable anthology of wonderfully twisted tales is back for a fifth run and it’s as hilariously warped and deliciously dark as ever. It kicks off with a football-themed tale that unfolds in the claustrophobic dressing room of a crucial match, as United and Rovers clash to determine who will get promoted or relegated. Off-pitch tensions are just the top of the iceberg, as retiring referee Martin (a brilliantly passionated David Morrissey) tries to keep linesmen Brendan (Reece Shearsmith) and Oggy (Steve Pemberton) in order. Before long, other questions start to surface. Is match-fixing at play? What is going on between No 9 striker Calvin (Dipo Ola) and the ref? And which animal is that team mascot meant to be anyway? The result isn’t going to win points on sporting accuracy, but the suspense ratchets up flawlessly, with each new twist thrown in from unexpected sidelines at pitch-perfect pace.
Universal Credit: Inside the Welfare State: Season 1
Universal credit is preparing to be rolled out across the country, as the government looks to rework the national benefits system into one single payment. But the new credit has proven a nightmare for anyone needed to use it, forcing people to wait for five weeks until they can receive their first payment, thereby pushing them into poverty – or further into poverty – and causing hardship for those already vulnerable. This three-part series highlights just how damaging the system is, charting the on-the-ground pressures not only on claimants trying to survive but also the staff in Jobcentres and those having to make the technology behind the infrastructure change work. The first episode introduces us to people in Peckham affected by universal credit, as we see former NHS worker Rachel quit to become a carer for her ill parents, only to find a lack of financial support, and Declan, a 46-year-old man who has been made homeless and sleeps in the park. Heartbreaking, urgent viewing.
Drama box set: The Victim
Kelly Macdonald and John Hannah are on superb form in this four-parter, which delves into the complex legal case that surrounds the attack against a man, Eddie J. Turner (James Harkness), who was convicted of murdering a young boy 15 years earlier. Given a new name (“Craig”) and a new life, that identity is exposed, and the boy’s mother, Anna (Macdonald) is accused of doing the leaking and inciting the killing. Investigating is John Hannah’s DI Grover, who picks apart the ensuing thorny questions with a suitably grave gravitas. Created by Rob Williams, the drama doesn’t shy away from delving into its complex material right from the opening episode, and the result is a nuanced, yet twisting, exploration of grief, the right for rehabilitation and the line between justice and revenge. Set aside four hours and prepare for your sympathies to be torn.
Thriling box set: Line of Duty: Season 1 to 5
Before Jed Mercurio’s ridiculously tense cop thriller returns for a sixth season, don’t miss your chance to binge through the first five.
Louis Theroux: Selling Sex
The exchange of sex for money is legal in Britain, so long as it doesn’t involve coercion, exploitation, or any kind of public nuisance. Now, in an age of social media and digital connections, the notion of transactional sex is suddenly in front of people who might never have previously considered it. Enter Louis Theroux to untangle the complicated presumptions, expectations and challenges surrounding what is now an industry. He meets 30-something Victoria, a mother who fits in multiple bookings each day between school runs, Caroline, a former dental nurse who is turned onto the work by a friend and Ashleigh, a student with Asperger’s who is using transactional sex to pay for art school. Theroux may not be making headlines with this film, but he’s at his absolute best, teasing out details from his subjects through probing but sensitive questions, from how one of their past relationships has framed their valuing of sex and themselves to his own reticence to make judgements or assumptions and his attempts to stop any thoughts of paternal concern. The result is a thoughtful consideration of an unseen but prevalent economy, and a provocative examination of moral, ethical and financial issues.
Being Gail Porter
In 1999, Gail Porter was one of the UK’s most sought-after female TV presenters. From Top of the Pops to her naked image being projected onto the Houses of Parliament for FHM magazine, she was a household name for many. Then, her life hit a downward spiral, as she faced post-natal depression, anorexia and alopecia. Here, she takes us back through that journey, opening up in frank detail about when she was briefly sectioned under the mental health act, the fact that she self-harmed or the point in 2014 where she slept rough on a park bench. She does all this not only with a heart-wrenching honesty but an inspiring and winning sense of humour – a display of humanity and honesty that not only grips and moves but will hopefully reassure viewers going through similar mental health issues that it is possible to come out the other side.
Comedy Box Set: King Gary: Season 1
After a hilarious pilot last year, BBC One’s King Gary returns for a full season, and the sitcom still has laughs and warmth in abundance. Tom Davis gets a deserved chance to take the lead as Gary King, a builder with aspirations to achieve social acceptance and moderate material success in competitive suburbia. He’s joined by his childhood sweetheart Terri, played with impeccable cluelessness by Laura Checkley (The Detectorists). But while the larger-than-life characters are amusingly inept at trying to climb the social ladder, King Gary succeeds because it has such affection for its man-and-wife double-act, ensuring we never chuckle at their expense. Gary, in particular, is a wonderfully observed and realised character, a balance of desperation and dated values; he’s perpetually trying to impress his dinosaur of a dad (Simon Day) and prove himself the man of the town, even though he’s visibly pained by trying to do so. Masculinity, marital loyalty and modern social pressures all elbow each other throughout every 30-minute episode (written by Davis and directed by James De Frond), erupting into brilliant set pieces such as one awkward confrontation over a football team Gary coaches – bringing him into conflict with Romesh Rangathan’s sarcastic, woke neighbour – and a very relatable struggle to establish order and respect on the family building site. With Neil Maskell providing generous support as Gary’s friend, Winkle, the result is a beautifully simple yet deceptively complex comedy that gets every detail just right, even down to Gary’s absurdly over-rehearsed walk.
Family Box Set: Doctor Who
Jodie Whittaker’s confident Doctor is back with a renewed focus, fresh stakes and an added dose of fun. (Read our full review)
Drama Box Set: The Trial of Christine Keeler
The Trial Of Christine Keeler takes a fresh look at one of the most infamous British stories of the 20th century: the chain of events in the 1960s that came to be known as the Profumo Affair. This stylish, gripping drama finds the female voice at the heart of it: 19 year-old Christine Keeler, a young woman whom the powerful, male-dominated establishment sought to silence and exploit, but who refused to play by their rules. (Read our full review)
Family box set: Worzel Gummidge
Is there anything Mackenzie Crook can’t do? One suspects not, based on Worzel Gummidge, his new two-part adaptation of Barbara Euphan Todd’s children’s books. Stepping into the straw shoes of Jon Pertwee, who was the definitive Worzel for a generation of kids, he’s instantly iconic here with his own take on the scarecrow of Ten Acre Field. (Read our full review)
Chilling Box Set: A Christmas Carol
Charles Dickens’ festive classic gets a bold reinvention with this dark adaptation that sees a chillingly arrogant Guy Pearce play Ebenezer Scrooge, who is haunted by three spirits in the course of one night – including Andy Serkis as the Ghost of Christmas Past. With Stephen Graham also bringing new life to Scrooge’s former partner, Marley, from beyond the grave, and with Nick “The Awakening” Murphy directing from a script by Steven “Peaky Blinders” Knight, this grippingly bleak three-parter is a wintry bedtime story for adults only. (Read our full review)
Comedy Box Set: The Goes Wrong Show
The team behind The Play That Goes Wrong return once more to BBC One, but this time for a full series, beginning with a Christmas special. The Mischief Theatre troupe have made a real name for themselves with their many Noises Off!-style productions, and this new series sees the Cornley Drama Society continue to (attempt to) stage ambitious shows. Distilling the concept down into 30-minute bursts is an inspired move, giving the group a chance to dial up the chaos and silliness without the novelty wearing off or the joke wearing thin. It helps that the writers and actors are so in sync: written by and starring the original founding Mischief Theatre members, Henry Lewis, Jonathan Sayer, and Henry Shields – alongside Nancy Zamit, Charlie Russell, Bryony Corrigan, Greg Tannahill, Dave Hearn and Chris Leask – there’s a nice sense of continuity in reuniting with perennial over-actor Robert Grove, the screen-hogging Sandra Wilkinson and the artistically mistrusted Dennis Tyde. Grove, in particular, is hilarious in the opening Christmas special, which sees him play Santa, who visits a young girl to restore her Christmas cheer – helped by clumsy elves, a disturbing snowman and a lethal toy machine. The jokes fly thick and fast, with the deadpan delivery of every slapstick, failed musical number and behind-the-scenes aside dispatched with pin-point precision. With the rest of the show set to cover a range of genres – from WWII dramas to courtroom thrillers – this laugh-out-loud pandemonium is a show that could run and run.
Frankie Boyle’s 2019 New World Order
The scathingly acerbic Scottish comedian is on worryingly funny, and disturbingly pointed, form with this look back at 2019 that we all deserve.
Don’t Miss: Elizabeth Is Missing
Glenda Jackson is heartbreakingly brilliant as Maud, an 80-year-old who is living with dementia. When her best friend Elizabeth fails to turn up for a shopping trip, she’s convinced something terrible has happened. And so she turns detective to try and solve the mystery. It’s a quest that brings out her loyal and stubborn streak, qualities that Jackson balances with a growing sense of doubt and a constant fear of forgetting something important. As well as adding an urgency to her hunt, as she tries to hold on to each sticky-note clue, it drives an underlying poignant melancholy that erupts in bursts of terror and shock – a scene where she’s locked into her own home is terrifyingly tragic, and that heart-wrenching impact stays with you long after the end credits roll and the solution to Elizabeth’s disappearance emerges.
Drama Box Set: His Dark Materials
This impressively faithful adaptation of Philip Pullman’s books is a grand but grounded epic. Read our review
Family recommendation: Seven Worlds, One Planet
Millions of years ago incredible forces ripped apart the Earth’s crust creating seven continents. BBC One’s latest nature series profiles them in jaw-dropping detail, as Sir David Attenborough explores how each distinct environment has shaped the animal life there – from he baking plains of Africa to life at the extremes in Asia. Nowhere is more extreme, though, than the Antarctica, which is where Episode 1 begins, as we witness Weddell seals keeping their breathing holes open by using their teeth to grind away the ice. That universal drive to survive ties together each chapter, but particularly moving is the drive to keep one’s loved ones alive too, particularly when we watch an initially ambivalent albatross eventually recognise its offspring – a sequence that’s guaranteed to tug at your heart strings.
Comedy Box Set: Vic & Bob’s Big Night Out
Vic Reeves and Bob Mortimer are back and they’re as wonderfully, ridiculously silly as ever, as Big Night Out continues its unlikely renaissance in 2019. One joke treating Steve Avery as a pop culture reference feels misjudged, but that misstep is more than made up for by the plethora of amusement on offer elsewhere, from bell ringing and a song about Plymouth to a hysterical Most Haunted spoof involving a spooky hotel and a potato. More please.
Literary corners have long been full of people debating who counts as the first proper fictional detective. In Vienna Blood, BBC Two’s plush new Austrian drama, there’s a claim for possibly the world’s first forensic psychologist. That would be Max Liebermann (Matthew Beard), young detective, fan of Freud and the son of someone important, who is assigned to shadow Inspector Oskar Rheinhardt (Juergen Maurer), gruff veteran, old-school cynic and reluctant teacher. To say that the resulting odd couple dynamic more than resembles Sherlock doesn’t take much elementary deduction, and the initial feel is very much a Holmes wannabe – it doesn’t help that its writer Steve Thompson, has worked on the Beeb’s recent take on Conan Doyle’s crime-solver. The plot, which revolves around a murdered woman (that frustrating tradition again), is hardly the stuff of classic literature, but there’s some panache to the thriller once it hits its stride, not least in a rooftop chase and a confrontation aboard the iconic Vienna ferris wheel. And Beard and Juergen Maurer are a pleasure to watch together, not least because of Beard’s earnest push to move on treatment of mental health from the days of electroshock therapy.
Prince Andrew & the Epstein Scandal
In a Newsnight special, Emily Maitlis interviews the Duke of York as he speaks for the first time about his relationship with convicted paedophile Jeffrey Epstein. The result is a huge gamble from Prince Andrew as he tries to address the scandal, and it would be hard to say that it paid off. Instead, the hour-long conversation raises more questions than it answers, from his defence of staying at Epstein’s home because he was “too honourable” to his alibi for where he was on certain dates including the fact that he was at a Pizza Express in Woking. And that’s before you get to the mention of his condition that meant until recently he was unable to sweat. Professing no memory of events, and even laughing uncomfortably at times, it’s a car crash interview that’s painfully riveting to witness, as the prince tries to remain polite – he calls Epstein’s conduct as “unbecoming” – and justify his behaviour. The plan was presumably to end discussion of the matter, but you suspect that it will only fan the flames further.
Comedy Box Set: The Young Offenders: Season 2
This sublime second season is expertly performed, smartly written and very, very funny. Read our full review
Comedy Box Set: RuPaul’s Drag Race UK
RuPaul’s veritable phenomenon gets its first UK incarnation with BBC Three’s delightful, uplifting contest, which sees the best of Britain’s drag scene competing to impress judges that include Andrew Garfield, Alan Carr and Graham Norton. Witty, fabulous, and very, very British. Read our full review
The Fear of God: 25 Years of The Exorcist
Mark Kermode’s engaging, insightful documentary about The Exorcist manages to be more than just a making-of.
Who Are You Calling Fat?
“Nine people who live with obesity, or who choose to call themselves fat” move in together to explore what it means to be larger bodied in Britain today. The result is a compelling, uplifting watch, as the documentary delves into the nuances of language, questions of projection, prejudice and media representation – “Health is a social construct,” says one – and ultimately brings together each person for a thoughtful debate without exploitation. There’s no prescriptive view on what’s right or wrong here, no judgement on dieting or eating what you want, just a reminder that genetic predisposition is a factor in body size and, most of all, that respectful conversation is always a healthy thing.
The Cameron Years
If the idea of reading David Cameron’s memoirs fills you with nausea, this documentary is an excellent condensing of the main highlights into a couple of hours. Over the two episodes, it breaks down comprehensively how the Conservative broke down comprehensively, as a result of the pro and anti-Europe tensions that were given oxygen by Cameron’s decision to hold a referendum. The former PM justifying himself and asking for sympathy may not carry much weight with viewers, but watch out for former Lib Dem leader and Deputy PM Nick Clegg spelling out how their brief coalition worked – and how he, like George Osborne, advised Cameron not to go down the referendum route. And, for good measure, there’s the irony of remembering the Tory’s 2015 election campaign threatening “chaos with Ed Miliband”. Who knew it was possible to feel nostalgic for such heady days?
Comedy Box Set: State of the Union
“It sounds like you’re trying. I am. Well, don’t.” Brexit gets a brief mention but it’s another union breaking apart in this delightfully funny, wonderfully heartfelt comedy, which sees one couple’s marriage crumbling – while they attempt to rebuild it at the same time. The premise is inspired, as we drop in on them every week for 10 minutes before their go their marital therapist – a brief chat in the pub that, it soon becomes obvious, covers far more ground than they do in their actual session. Nick Hornby pens the 10-minute bursts with the kind of honesty and wit you’d expect, with each episode delivering a revelation or step forward in their relationship – while also pushing them several feet back. Stephen Frears, meanwhile, brings an agility and brevity to the helm that captures endless telling details in the shortest of time-frames. Chris O’Dowd and Rosamund Pike sink their teeth into the bite-sized morsels with relish, O’Dowd full of immaturity and tragedy, Pike conveying unhappiness and frustration, both of them balancing their regrets, secrets, resentments and fears with a razor-sharp comic timing and – this is the kicker – a huge dose of feeling that ensures we’re always rooting for the happiest outcome, whatever that may be.
Thrilling Box Set: The Capture
BBC One’s new surveillance thriller will be compared by many to Bodyguard, but the drama is closer to a companion piece to Channel 4’s equally gripping Chimerica. Where that drama delved into questions of photos, image editing and what can be trusted in this world of modern technology, The Capture raises equally troubling issues around deep fake – the manipulation of videos to make it appear as if someone said or did something they didn’t. Strike’s always charismatic Holliday Grainger is excellent as the person trying to tease apart the gap between real and not, and Callum Turner brings just right level of ambiguity to Shaun, a soldier who claims CCTV footage of him abducting a woman isn’t true. If the pacing stays as sharp as the first episode, you can expect a six-episode ride that’s as unsettling as it is compelling.
BBC One goes all Phoenix Nights – or Car Share – with this new coastal comedy, which drops us beside the seaside for some mild giggles. The laughs aren’t uproarious, but the charm of this unassuming offering from Benidorm’s Derren Litten is that it’s more serial drama than sitcom, and the characters are drawn with a suitable realism. Jason Manford is the closest to broad comedy as arcade manager Mike, who has been caught in an embrace with the local man-eater (Claire Sweeney), but he gets chance to play low-key drama (as well as some surprisingly pleasant karaoke) as we see him attempt to patch things up with hairdresser Karen (Catherine Tyldesley). These decidedly messy, frayed thirtysomethings all descend upon the stereotypical local pub, but there are little gems of observations and laughs buried under the familiar surface, not least in the form of Stephanie Cole’s amusingly sharp-tongued Marion, Catherine’s blunt mother.
This gorgeously shot and earnestly presented documentary series taps into the profound truth that all around the world, great work and effort has been made by distinctly different people to create buildings to bring people closer to God. From Djenne’s Great Mosque to Japan’s Nachi waterfalls in Japan, not to mention the Cathedral of St John the Divine in New York, the result is a portrait not only of edifices but of humans engaging in sacred rituals and practices. Inspiring viewing for those who are so inclined.
The Misadventures of Romesh Ranganathan: Season 2
Romesh Ranganathan continues his quest to take over every programme on the BBC with the return of his unlikely travel series. Season 2 kicks off in typically unexpected style with a journey to Zimbabwe, where he gets caught in biblical lightning storms, re-enacts the film Titanic on a Lake Kariba houseboat and tries the home-brewed beer he made in a bathtub in Bulawayo. Along the way, he comes face to face with a cheetah, but also finds time to learn about the impact Mugabe had upon the country and its perception in the eyes of other countries. The result is a deceptively insightful snapshot of a population struggling through turmoil and economic crisis, woven in between stunning waterfalls and gorgeous landscapes, not to mention his signature frank brand of sarcasm. One season down and this remains a likeable showcase for a naturally charming TV presenter, but grows better with every episode as factual filmmaking increasingly equals the travel diary entries.
Comedy Box Set: The Mind of Herbert Clunkerdunk
Returning after its short pilot for four brief episodes of 11 minutes each, Spencer Jones is on dazzlingly silly form in this madcap comedy about Herbert Clunkerdunk, a man who struggles to get through day to day life – not least because of the interruptions of his overactive imagination. Everything from impromptu music videos and talking household objects interfere with his daily routine, not to mention Dom Coleman (Upstart Crow), as his irrepressible, unpredictable neighbour, Jonny Wallop – and all the while, Lucy Pearman (Mister Winner) keeps things grounded and sane as Bobby Kindle, Herbert’s wife, who supports him with patience and tolerance.
Drama Box Set: Keeping Faith: Season 2
“Just keep going.” Those are the words of Faith Howells (Eve Myles) to herself as she returns for a second round of Keeping Faith. Myles is as brilliant as ever the grippingly complex second season, which picks up the pieces from Season 1 and tries to put them back together, finding more time for every character along the way.
Louis Theroux: Surviving America’s Most Hated Family
Louis Theroux once again ventures into the breach with another visit to America’s Westboro Baptist Church, where the Kansas Christian group have made a name for their picketing of funerals and protests with homophobic, unpleasant placards. In 2014, founder Fred Phelps passed away, and Theroux returns to see if that has changed the group, especially with the winds of Trump’s America blowing in similarly outrageous directions. While it’s hard to decide whether there has been a softening of their stance, or whether that’s Theroux reaching to prove his own theory, the documentary is worth watching just for the chance to listen to Phelps’ granddaughter, Megan, who has defected to become Westboro’s most prominent critic – a reminder that there is still hope even among divisions of hate.
Thrilling Box Set: 8 Days: To the Moon and Back
TV has gone moon landing crazy in the last week, and with good reason, but one of the gems of the small-screen anniversary celebration is undoubtedly this BBC Two documentary. The feature-length film is built on newly declassified cockpit audio recorded by the astronauts themselves. That’s enough to give us a fresh, immediate perspective on Apollo 11’s astonishing voyage, but director Anthony Philipson goes one step further by seamlessly stitching together archive footage and reconstructions with CG effects to build not just a feast for the ears but an immersive, full-sensory experience that’s as breathtaking as it is gripping.
Thrilling Box Set: Killing Eve: Season 2
Professor Brian Cox has a mellifluous voice that prompts a Pavlovian response in any listener that hears it: to open their ears and turn on their brain, even as they slip into a warm, relaxed state. It’s only fitting, then, that his physics-defying larynx should be put to use by the BBC in picking up the very fabric and history of our universe. After exploring those wonders in gorgeous detail, The Planets sees him take on the rocky orbs that float through out solar system, each born at the same time but radically different, as they shifted from Earth-like conditions to become scorched by the son or drift out into the cold. Breathtaking CGI illustrates the journey of each mass, with real grandeur and spectacle, while Cox muses on the way Mars had its precious water taken from it, and how Saturn’s moon, Titan, may one day get its own moment in the Sun. It’s enough to make you appreciate the miraculous odds of life on Earth actually being possible. Dazzling, essential viewing.
Ambulance: Season 5
Hot on the heels of Season 4 comes another bout of the BBC’s heart-stopping, hugely compelling documentary, putting us on the ground with the staff of the North West Ambulance Service in Greater Manchester. From 999 phone calls that may already be too late to rescuing someone from underneath a tram, the non-stop array of accidents and incidents is overwhelming – and not just for us, as the paramedics find themselves only able to get to some people hours after their call, due to a lack of resources. You wouldn’t know it from seeing the staff in action, though, as they comfort and calm, diagnose and treat, and – most important of all – listen and understand to everyone from a collapsing male to a drunken dancer with a warmth and, where appropriate, humour. Christopher Eccleston, as ever, is on hand to narrate events with a frank, heartfelt gravity.
Funny Box Set: What We Do in the Shadows
This wonderfully silly, superbly written comedy transforms vampire horror into flatshare sitcom. (Read our full review)
Drama Box Set: Summer of Rockets
Toby Stephens is one of the UK’s most underrated actors, something that Summer of Rockets seems almost tailor-made to correct. Written and directed by Stephen Poliakoff, the period drama introduces us to Britain in 1958, a year when the hydrogen bomb tests were in the air and the Cold War loomed over the nation. The political tensions are balanced with wonderfully personal details, as we follow Samuel Petrukhin (Stephens), a Jewish inventor born in Russia who has migrated to the UK and found success in manufacturing hearing aids. Going on to effectively invent the pager, his technological wizardry attracts interest from darker forces than the wealthy clients he typically caters for, and the drama deftly finds its way through a maze of social, national and familial concerns. There’s as much suspense in seeing his daughter, Hannah (Lily Sacofsky), deal with a broken show on the way to Buckingham Palace, as there is in waiting for his beeping invention to prove itself during a hospital demonstration. Woven into it all is the growing attraction between Samuel and one Kathleen Shaw (the always excellent Keeley Hawes), wife to an important Tory MP, and the couple play the layers of class conflict with carefully observed nuance. All of it is held together by Stephens’ superbly subtle performance, which blends accents together in an attempt to integrate himself with a country that, deep down, doesn’t trust him. The result is brimming with intrigue and filmed with period panache. With the whole box set released on BBC iPlayer, you’ll be hard pressed not to dive into it immediately.
Thatcher: A Very British Revolution
As the UK’s second female Prime Minister prepares to move out of 10 Downing Street, there’s never been a better time for a look back at the first. This BBC documentary doesn’t miss a beat, taking us all the way through Margaret Thatcher’s career in impressive detail, from her choice of clothes and coaching to change her vocal cadences to even the surprise of Ken Clarke at the notion of a woman being elected leader of the party before it happened. There’s real insight here, both into the way the Conservative Party works and the way that Thatcher navigated her path through the least progressive of the UK’s political groups. There are no cries here to identify with her on a human level, or sympathise with how tough her work was, just lots and lots of facts stuffed into a compelling told hour.
“We could always try… haunting?” That’s the sound of BBC One’s comedy, Ghosts, bringing a new perspective to, well, ghosts. Pitched somewhere between The Others and What We Do in the Shadows, it’s a hysterical, witty, irresistibly silly piece of television that gets a laugh out of the darkest of material. (Read our full review
Chilling Box Set: Bodies
Not for the faint-hearted, Jed Mercurio’s medical drama is a gripping now as it was when it first aired. (Read our full review)
Drama Box Set: Pose
Ryan Murphy is one of the best things about modern TV. If you’ve ever doubted that, just look at his latest creation, which is vibrant, gripping, emotional and sassy all at the same time. What makes Murphy’s work often so compelling is the way he so deliberately shines his spotlight not on himself but on other people, from Feud’s plumbing of the depths of the sexist engine powering Hollywood to America Crime Story’s hugely detailed character-driven portraits of real life. Groundbreaking in its largely transgender cast, Pose is bursting at the seams with lives and stories just waiting to be told, diving into the underground world of 1980s ball culture, where all those unwelcome in mainstream society, all those who can’t convert the American Dream into an American Reality, find acceptance, respect, support and one heck of a good night, as they strut their fashion sense and realness for everyone else to appreciate. Black transgender woman Blanca Rodriguez (Mj Rodriguez) works at a nail salon by day and serves as a member of the House of Abundance by night, and she’s our window into this world, as she takes in Damon (Ryan Jamaal Swain), a young dancer, and pushes him to audition for the local school. The resulting scene is just one in an endless pile of standout moments, as Swain veritably explodes off the screen with passion, conviction and physical agility. Its a breathtaking climax to a dizzying first episode – and sends you pirouetting into the box set released all-at-once on BBC iPlayer. Strike a pose, then get ready to hold it for eight hours.
Don’t miss: Fleabag: Season 2
The return of Phoebe Waller-Bridge’s comedy is as brilliant, candid, rude and funny as you’d expect. Read our review here.
Testosterone and gasoline fuel this biker drama, spun off from Sons of Anarchy. And, once again, we’re immersed in the group politics, personal conflicts and violent retributions that bubble under the surface of a petrolhead gang – this time, a Latino gang in Santo Padre, on the US/Mexico border. Created by Kurt Sutter and Elgin James, the series picks up four years after Sons, as young Ezekiel (J.D. Pardo) finds himself drawn into the world of the Mayans Motorcyle Club, driven by the need for revenge against the Galindo cartel. Flashbacks introduce us to his childhood sweetheart, Emily (Sarah Bolger), who is now married to the son of the cartel’s boss. That’s more than enough to hook in fans, even without the presence of Ron Perlman and other stalwarts from the original show – although there are some crossover cameos to watch out for. Throw in a compelling veteran turn from Edward James Olmos as Ezekiel’s father, Felipe, and you’ve got all the promising mechanical components for another muscular drama waiting to be revved up.
Don’t miss: Les Miserables
BBC One’s handsome adaptation of Victor Hugo’s novel finds fresh details and renewed grit in its moving depiction of inequality and unrest. Read our full review
Pamela Adlon’s comedy about a single mother has taken its time to arrive on our screens, and has had a tumultuous time of it even before then – it was initially co-written by Louis C.K., who was rightly and promptly booted from the series (along with his production company) when accusations of sexual misconduct surfaced against him. Its belated premiere on UK TV, courtesy of the Beeb’s deal with FX, nonetheless deserves praise for Adlon’s central performance as Sam, a mother of three who is trying to balance her flailing acting career with raising three daughters. Adlon co-created the programme and sets the tone from the off, with a performance that’s honest in its semi-autobiographical approach and unapologetically prickly – we first meet her in a shop, where she’s ignoring her crying child, who’s in tears because she wants to buy some earrings she doesn’t need. Later, she argues with her eldest in a car. “Hide things from me please!” she cries, as her child tries to solicit her to buy weed. With Adlon working on a third season, both directing and reprising her lead role (and with four new writers on board), this opening run (available as a box set on BBC iPlayer) promises a candid, fresh take on motherhood that’s worth checking out.
Family Box Set: Doctor Who: Season 11
As grounded as its opening episode’s title (The Woman Who Fell to Earth) suggests, Chris Chibnall and Jodie Whittaker arrive in the TARDIS with a winning departure from formula. Read our full reviews of each episode here.
Chilling Box Set: Inside No. 9 (Incl. Live: Dead Line)
“Are me and Steve Pemberton on BBC two now?” Inside No. 9 serves up its most post-modern, formally audacious episode yet with this special Halloween event. Reece and Steve appear as themselves at one point during the 30 minutes as part of some pre-recorded footage, in which they admit on The One Show they don’t believe in ghosts. This episode’s risky, bold and surprising gambit, rather, is to play on the biggest fear all performers have: a live broadcast going wrong. And so we’re put immediately on edge, dreading the worst, as we see Steve play a man arriving home, after discovering a phone in a graveyard, and Reese pop round as the local parish priest – only for gremlins to briefly mess things up. Ghosts in the machines? Reese bravely laughs off any technophobia – “You’re thinking of Black Mirror. This is Inside No. 9, more dark jokes and twists.” – but that’s all we need for the nightmare to threaten to come true, and what ensues is a brilliantly nerve-racking ordeal as we witness the cast and crew try to minimise any mistakes, which leaves us unsure what’s intentional, what’s accidental and what might (were one superstitious) be fate doing its best to ruin everything. The editing is remarkable, and the use of archive video to stitch any gaps together is inspired, resulting in a brave piece of TV that has you peeking through your fingers, before staring, in one masterful scene, at a cycle of screens within screens stretching into infinity, creating a broadcasting abyss – a timeless limbo in the middle of an old studio, where memories of all those past productions gone wrong are exorcised by the thrill of modern imagination. The rest of Inside No. 9 is also available as a box set.
Drama Box Set: Luther
“I’m with the police.” “Which police?” “The police.” That’s the sound of Idris Elba remaining as tough, gruff and willing to rough people up as ever over four seasons of Luther. The BBC drama, which co-stars Ruth Wilson and a fantastic coat, dives into grimy police work with a glowering swagger that only adds to the hard-hitting appeal of the concise storytelling, curt dialogue and did we mention Idris Elba? Before Luther returns for Season 5, don’t miss the chance to catch up with show’s gripping back catalogue.
Family Box Set: Blue Planet II
David Attenborough once again narrates this majestic, majestically filmed nature documentary, which dives beneath the waves to reveal not only the life beneath, but the way in which that life is being transformed by our existence up above. From the Earth’s frozen poles to coral reefs, it’s an eye-opening, informative and infinitely accessible programme that is almost too much to take in one sitting. Plus who doesn’t like the excuse to drop the word “phytoplankton” into everyday conversation?
This charming collection of comedy shorts balance sharp observations and witty writing with infectious imagination. Read our full review
“I have written and directed a film about veganism,” says Simon Amstell. “I’m sorry.” If you laughed at that, you’ll love this. Set in 2067, when the human race has apparently converted entirely to veganism – an alternate universe to rival The Man in the High Castle and SS-GB for unnerving chills – Amstell’s mockumentary looks back at the years when people slowly began to realise the horror of consuming meat, eggs and other produce sourced or derived from animals. The film purports to explore the strange, alien idea that humans and animals aren’t equal, aiming to break the taboo surrounding Britain’s carnivorous past. It’s a neat way to tackle an oft-derided concept, by deliberately presenting what’s considered normal as the absurd – but Amstell, crucially, doesn’t lose sight of the ridiculousness of his own concept. The result is simultaneously laugh-out-loud funny and unsettling – and, most of unsettling of all, is the knowledge that, deep down, you may even feel yourself being won over by Amstell’s viewpoint. A thought-provoking, rib-tickling, stomach-churning satire. Read our full review.
As BBC iPlayer’s Original Drama Shorts return for another season, one of 2014’s best, My Jihad, returns as a miniseries of three 15-minute films. The first introduced us to Fahmida (Anjli Mohindra) and Nazir (Hamza Jeetooa), two single Muslims who crossed paths at an unsuccessful speed-dating night. Picking up events one month later, this is a universal exploration of love in modern Britain that packs in twice as much warmth and wit as most 30-minute shows do in a whole season. (Read our full review.)
Available until: June 2020
Original Drama Shorts
BBC iPlayer continues to prove a platform for new talent with its latest bunch of shorts. From a moving demonstration of isolation and connection in an online age to a darkly funny – and unpredictable – story of female love and family loyalty, this is an impressively versatile collection of stories that are more than worth spending time with. (Read our full review.)
Available until: June 2020