BBC Three TV reviews: What’s new on the online channel and what’s worth watching?
Helen Archer | On 22, Apr 2017
In February 2016, BBC Three became the UK’s first online TV channel. The channel continues to serve up fresh new stuff every day, both long-form drama, documentary and comedy and short-form content that ranges from animations and clips to interviews and blog posts. (See our guide to what’s coming soon to BBC Three.)
The channel also offers a range of old BBC Three shows to stream – you can see our guide to which box sets are available here.
But which of the new TV shows and online videos are worth catching up with? Every fortnight, we round up the latest BBC Three titles available online and review them.
Home (Short Film)
“Did you remember the Revels?” That’s how Daniel Mulloy’s stunning, provocative, important short film begins – not with a bang, but the gentle whisper of mundanity, as a family prepare to go on a trip to somewhere the parents promise their kids will be a nice place that will keep them happy and entertained. From the opening title, though, it soon becomes apparent that their journey into Europe is far from simple, and what follows is a witty subversion of the normal narrative we’re used to seeing, one that captures the unavoidable horrors of relocating from one country to another at a time when borders around the world are more closed to foreigners than ever. The fantastic Holliday Grainger and the ever-charismatic Jack O’Connell guide us through the urgent adventure with a calm confidence that, every now and then, briefly plunges into anger and fear. It’s only 19 minutes long, but Home packs one heck of a punch. Read our full review Words: Ivan Radford
Pick of the Week: Happy Man (Box Set)
With nearly 1 in 5 men in the UK suffering from anxiety and depression, and suicide being the single biggest killer of young men, comedian and mental health campaigner Jack Rooke looks at the ways in which men can deal with their emotions.
Having lost his best friend Olly to suicide two years ago, the three-episode series is framed around a stand-up gig Rooke puts on for what would have been Olly’s 30th birthday. The first episode is the most personal, as Rooke goes to visit Olly’s grave, with a can of Red Stripe and a bunch of flowers, before talking about his own family background and how he coped with the loss of his father. Speaking to his mother and his dad’s best friend, the abiding lesson is that there is no shame in showing your emotions – that it is, indeed, crucial and necessary for good mental health.
In the second episode, Rooke goes running with friend and fellow comedian Richard, who was sexually assaulted a few years ago and who tried to keep it under wraps, before realising that this was damaging him in myriad ways. He gets his hair cut by Camden Black Barbers Initiative, who provide a space for men to come and talk about what they’re going through, before heading to Scotland to go cold water swimming with Finlay, a young man with a history of anxiety and depression, who finds the bracing fresh water helps him get a perspective on things. In the final episode, Rooke confronts his feelings about his body by becoming a life model and then getting done up in drag, investigating the relationship between what we look like and how we feel.
This is a timely series of short films, and Jack Rooke is a vulnerable, funny, and thoughtful guide to the ways in which men can cope with the pressures of life.
I Shot My Parents
This rather chilly documentary looks at the case of Nathon Brooks, who, in 2013, when he was 14 years old, shot his mother and father several times in the head as they slept. Amazingly, both parents survived, and the filmmakers follow them as they make their way to visit their son in prison, where he’s serving a 15-year sentence for assault with a deadly weapon.
The film looks at the crime itself, speaking to the police, the defence and the prosecutors who investigated the case, and it includes the original police interview with Nathon, who proves himself a natural and convincing liar. Thanks to CCTV footage taken from inside the house, there is incontrovertible evidence Nathon was the culprit. Put in the care of his grandmother before the case came to court, despite her concerns that he was dangerous, Nathon’s relatively easy sentencing is mainly thanks to his parents, who refused to help the prosecution.
Nathon is also interviewed, although he is unemotional and unforthcoming about what led to the shooting, and, according to his psychologist, the family haven’t spoken much about the events of that night. As he sits with his parents during visiting time, and they fret about whether he is brushing his teeth, what is left unsaid weighs heavy on the viewer.
The refusal to unpack complex emotions and speak honestly about how a seemingly ordinary boy in a seemingly ordinary family could commit such a crime becomes what the documentary is all about. It is, too, a testament to an abiding and seemingly unbreakable parental love, which binds the family together despite the complex mixture of horror, fear and bewilderment the crime left in its wake.
The Monkey Lab
Should animals be used for testing drugs? BBC Three wades into the controversial debate with its eyes wide open – and viewers should do the same. Upsetting images and footage are on screen throughout this half-hour examination of the divisive issue. The documentary packs in ideas and arguments too, from those who say that diseases such as Parkinson’s and HIV need to be cured to the protestors (on the side of the majority of the public) who do not believe that human lives warrant the use of primates. Rather than taking a stance, as a lot of modern documentaries do, the programme is commendably balanced, showing us the scientists and handlers who work in Bio-Medical Primate Research Centre in the Netherlands – who admit to being conflicted about their work and often get to know their animals – and also spending a large amount of time in the everyday challenges faced by people suffering from HIV and Parkinson’s – living proof that their conditions have improved thanks to animal tests. Those who already have an opinion on the matter are unlikely to find their viewpoint changed (and would do well, perhaps, to avoid the upsetting scenes on display), but for those who have never considered the question before, this is thought-provoking viewing. There is undoubtedly hope on both sides of the fence, though, that the Dutch centre’s Alternatives Department will reduce the number of monkeys used in research and ultimately phase them out entirely. Words: Ivan Radford
The Idris Takeover
In case you missed it, Idris Elba took over the reins at BBC Three last week, and with his choice of programme he sought to highlight diversity along with an Idris-esque aspirational message – that you can be whoever you want to be, if you put your mind to it. To this end, there’s a series of dramas, Five x Five, dealing with everything from racist cops to the pressure put on teens to commit knife crime. Also screened were “Moses Strong Man” and “Marcus the Wheelchair Boxer” – short documentaries which look at the impact of sport in dealing with adversity, and how a focus on becoming great at something can help not just you, but have an impact on the lives of others too.
In “Breaking Out of Bradford”, we meet Leila Taleb, a young woman determined to become a barrister, despite feeling that she doesn’t belong in that world on account of her working class background. And there’s a documentary about Shogun, an unsigned Scottish grime MC, who give us a glimpse into his life and talks about the barriers he’s faced in pursuing his dreams.
There’s more, including Romesh Ranganathan talking to established comedians about how they made it in their world, but what links everything is the Idris mentality – the kick up the backside, inspirational reminders to young people that they can achieve great things, regardless of where they come from or the colour of their skin. Perhaps the strand can be summed up by what Leila says during the course of her documentary – that until you see yourself represented in what appears to be a closed field, it’s easy to imagine it’s just unattainable. Idris’s schedule is about showing the possibilities which are only as limited, he posits, as your imagination, drive and determination.
Last Chance: Witless
BBC Three’s sitcom stars Kerry Howard and Zoe Boyle as Leanne and Rhona, odd couple flatmates who are put in witness protection, after witnessing a gangland murder on their way home from the pub one night. Leanne is somewhat thrilled by this development – “You’ve come to the right person for this. I’ve got a BTEC in performance art, so I know all about creating character.” – but Rhona, who had been planning on moving into her own place to get away from her theatrical housemate, is less pleased.
The pair are pursued by juvenile hitmen who self-identify as “DJ Sound as Fuck” (Nicholas Fruin) and “Appraisal’”(Tom Cawte).
While flatmate sitcoms have become something of a familiar TV trope, Witless adds into the mix the extra ingredient of quasi-danger which separates it from the pack. The writers Joe Tucker (Horrible Histories) and Lloyd Woolf have worked together before on Big Bad World, and their new venture is promising, due to the contrasting comedy double acts of pursued and pursuers. Season 1 and Season 2 are now both available as box sets. Read our full review of Season 2.
Last Chance: American High School
This six-part series shows us the realities of life in a predominately African American US high school. We join charismatic new principal Dr Stephen Peters in Orangeburg-Wilkinson (O-W) High School, South Carolina, as he oversees one year in the life of his students.
We meet Jalena, one of the smartest students in the school, as she prepares to take make-or-break tests with her classmates. Kordel, meanwhile, is a talented footballer with the swagger to match. Desperate to get out of Orangeburg, he is being prepared by Coach Brown to grasp one of the rare opportunities open to him.
Both students are navigating a high poverty index school, where low expectations are the norm, in a country in which kids of colour are regularly failed by the system. Violent fights break out regularly in O-W, and an armed police officer is in residence. Some kids leave school not knowing where they’re going to stay the night, and the principal has to worry about school shootings as well as test results.
The show mixes footage with straight-to-camera interviews to get to the heart of the realities for the students, and the first episode ends with a football match which is straight out of Friday Night Lights, even down to the overlaid commentary, inspirational pep talks, and last-minute touchdowns. This is a beautifully shot and wonderfully directed documentary, which also examines the problems faced by young black America, in which one high school and its articulate and engaging students act as a microcosm for the US as a whole.
Last Chance: Asian Provocateur: Season 2
Having seen Romesh Ranganathan and his mum Shanthi travel to Sri Lanka in a humorous bid to find out where his parents came from, the pair are now returning to our screens for a second season of Asian Provocateur, this time heading west. In the first episode, Mum’s American Dream, they’re in Tampa, Florida, where Romesh’s cousin Pretheep sets up a spicy food competition, a frat party initiation and a monster truck experience, while Romesh shows his mum around an upscale retirement village in an effort to get her out of his hair so he can enjoy himself.
Much of the appeal of Season 1 lay in the clash of cultures between first and second generation immigrants and the country they came from. Here, the clash of culture is in the generational differences between mother and son and their expectations of what America has to offer, although Romesh, too, voices his discomfort as some of the “rednecks” who drive their monster trucks for him try to make him partake of some shooting practice with their automatic weapons. After giving Romesh a piece of wood that has been splintered by gunfire as a souvenir of his time with them, Romesh reminds the viewer of the sort of attitudes bubbling under the surface, a constant underlying subtext which could rear its head at any moment. It is asides like these which raise this programme from any of the ‘idiot abroad’ shows that take up so much of our TV schedules, by creating humour from uncomfortable, authentic truth.
Phoebe Waller-Bridge’s new six-part comedy, which started its life as a play at Edinburgh’s Fringe Festival, already has people asking whether she’s Britain’s answer to Lena Dunham. It’s easy to see why – this shares with Girls a willingness to explore the darker aspects of what it is to navigate life as a single female in the city. The characters portrayed share, too, a willingness to (ahem) experiment, and a certain type of knowing narcissism, mixed with self-loathing.
Waller-Bridge stars as the character known only as Fleabag, newly single since her boyfriend dumped her for masturbating to a speech on democracy by Barak Obama. By day, Fleabag struggles to run a cafe on her own, gets thrown out of meetings with her bank manager for accidentally flashing him, and picks up men on the bus; by night, she attends lectures with her sister, where they embarrass themselves by being bad feminists, goes on dates with men with bad teeth, overshares in taxis, and turns up at her father’s house unannounced. All this is done with self-aware, fourth-wall-busting, straight-to-camera asides, and genuinely laugh-out-loud funny moments.
The supporting cast is promising too, with Sian Clifford as Fleabag’s anorexic, high-achieving sister, Bill Paterson as her emotionally distant father, and Olivia Coleman as a stepmother with a good line in smiling bitchiness.
Kicked Out: From Care to Chaos
Rebecca Southworth knows that, in many ways, she’s lucky. Now a university graduate and a filmmaker, she understands only too well how differently her life could have turned out. Being put into care at the age of 13, after confiding in a friend about the abuse she suffered at home, she was much more likely to become homeless or go to prison as an adult than to finish her education.
Indeed, there are 70,000 children in care in the UK. In this documentary, Rebecca interviews some of the care leavers behind that statistic and teases out the myriad reasons they, as a group, face the almost insurmountable challenges that they do. Meeting up with an old schoolmate, Tyler, Rebecca sees first hand the alternative reality which could have been hers had it not been for the encouragement and security given to her by her foster parents. Tyler, like Rebecca, got into university but was unable to complete his course, and is now homeless and trying to get help from a seemingly uncaring bureaucracy. Liam, meanwhile, squats with activists, and Scott, who was put into care as a baby and moved from one place to another throughout his childhood, still suffers the emotional scars of abandonment, and now gives talks to prospective foster parents to lead them through what they might face.
Interwoven with these stories is Rebecca’s own, and her increasing gratitude that she was given the stability she was when she needed it. This is a documentary which blends her personal story together with a wider one, and effectively highlights the shameful way in which British society treats those who most need their care.
In this three-part documentary series, Ben Zand travels to the former Sovet Union countries of Kazakhstan, Belarus and Tajikistan to find out about “the good, the bad, and the completely mental about living under a dictatorship”. In the first episode, it doesn’t take him long to realise he’s being followed by shadowy government minders, as he’s given a sanitised tour of the capital. With criticism of the government earning dissidents prison time, the difficulty he has is not only in slipping his short leash, but also in meeting up with anyone who is willing to speak to him on camera. As the country’s Independence day looms, the surveillance cranks up a gear. To avoid him witnessing any potential protests (it’s also the anniversary of the day 16 oil workers were gunned down in public during a strike), he’s whisked away to some nearby mountains. As he’s put on a ski lift, without any skis, he’s far away from the story happening in Astana. He does get to meet some people willing to speak to him, and he goes to an opposition meeting which has its own share of secret service agents loitering about. But what these three episodes are about, really, is how difficult it is for anyone to speak freely in a dictatorship, and the intimidation and fear Zand experiences in his short time there is nothing compared to the day-in, day-out struggle the people of the country have to deal with.
Teenage Knife Wars
This documentary follows former footballer Jermaine Jenas, as he returns to his home city of Nottingham to investigate what’s behind the recent spike in knife crime. This involves him meeting balaclava-ed men in abandoned warehouses, who pull out massive machetes from underneath their hoodies and explain that they would no sooner leave the house naked than they would knife-less. Jermaine’s mum, whom he visits with a camera crew in tow, is understandably nervous about what he’s up to.
He speaks to another mother at the grave of her own son, who was knifed to death at the age of 27, in a typically pointless act of violence. What start as petty disputes, it seems, quickly escalate. One schoolboy explains that when you’d normally just have a fist fight and be done with it – something which has been happening since time immemorial, a kind of rite of passage in high school – nowadays you have to bring a knife because the expectation is that your opponent will have one. Young people, it seems, are now ready to ‘kill or be killed’ over nothing.
This is a sobering documentary, telling a story reminiscent of the Glasgow knife gangs of the 1970s, or the American gun mentality. As those situations showed us, there are no easy solutions, and Jermaine is visibly frustrated as he tries to talk some sense into young people ready to die, or get life changing injuries, for the pettiest of reasons.
Just a Couple
This new, six-part series, written and created by Sebastian Thiel, introduces us to Mark (Michael Salama) and Shav (Frieda Thiel), a couple who spend their mornings winding each other up and their evenings taking selfies on the sofa, while wearing facemasks. Their arguments range from TV cheating (when one partner goes ahead and watches a new Netflix series without the other) to what photos their friends are texting them.
They’re at the point in their relationship where they’re just beginning to do things like unthinkingly give each other foot rubs, wear headscarves in bed, and fart in front of each other – just past that excitable, only-just-met period, and easing into life as a long-term partnership.
The easy, good-natured comedy arises from all the small irritations of couple life, but the programme also centres around the joy and tightness it brings. The two leads are funny and charismatic, their performances light and natural, and they perfectly personify that slightly fizzled-out but still apparent chemistry which is the heart of a long term relationship.
Available on BBC Three’s YouTube channel.
Another new comedy series started this week, and it, too, focuses on couples – although at a very different stage in their relationship. Climaxed, written and created by Tom Craine (who previously worked on BBC Three’s Josh), joins various pairs just as they finish having sex for the first time, and looks at the awkwardness and miscommunications thereafter.
The first episode sees Hanna (Rose Matafeo) trying to get rid of her one night stand, Alfie (Patrick Turpin), whose name she has forgotten. It seems as though he had rather a better time than her (“You’re really good at that, you could do that professionally,” he tells her) and is keen to bed down for the night, before taking her out for a breakfast the next morning. Rather excruciatingly, he can’t seem to take the hint that she wants him to go immediately, until she’s more or less shouting “Leave now!” into his face. It’s all a bit awkward, but more than that, it’s kind of sad and depressing – and we’re not entirely sure it’s meant to be. A new episode is streamed every Sunday, and, if nothing else, it will show you there are worse things that can happen than going home alone on a Saturday night.
Available on BBC Three’s YouTube channel.
Taxi to Training
James Cordon seems to have kicked something off with his Carpool Karaoke: filming people chatting in cars as they drive around seems to be a thing now. Here, comedian and Grimsby Town fan Lloyd Griffith drives football players to their training, and gets to know a little bit about them in the process.
First up is Watford’s Troy Deeney, and after getting him settled in the passenger seat with some small talk about what car he drives, Griffiths starts asking him euphemistically about “an incident when he went away for a while and then came back”. Deeney reveals that he told his son he was at football camp, when he was jailed for attacking a group of students, but the subject is swiftly put to bed as Griffiths introduces a series of games and quizzes he’s created to find out how much the players know about their fellow players and their clubs.
The “taxi trivia” tape he puts on is voiced by Gary Linekar, and includes a bit where they have to press a buzzer to answer – raising some questions about health and safety – while ‘paddle foot’ raises the stakes of the danger aspect, as a ball is flung around the car.
The next episode, featuring Crystal Palace’s Joel Ward, follows much the same framework, but Ward speaks about his Christian faith and how he got into football by playing for the church team. It’s interesting to note that while Deeney stiffed Griffiths on the fare, Ward actually gifts his driver a pair of gloves. In these interviews, it’s the little things that say so much.
Available on BBC Three’s YouTube channel.
BBC Three’s new, much-touted campus-set drama has finally begun, and it’s as glossy and OTT as promised. Having been compared to everything from Gossip Girl to Skins, which its writer Jess Brittain also worked on, it’s full of beautiful young things, and set in an Edinburgh of bright lights, affluence, and glamour, although it also has a pitch-black underside.
Holly (played by newcomer Synnove Karlsen) and Georgia (The Fall’s obsessed babysitter, Aisling Franciosi) are childhood friends and first year students who find themselves sharing dorms and classes. After going to a lecture given by economics professor Jude McDermid (Sherlock’s Louise Brealey), in what appears to be the bowels of a futuristic spaceship, they are introduced to a dubious feminist ideology and encouraged to apply for a mysterious internship.
Next thing you know, the pair are being driven around by a chauffeur, snorting class As, and attending glamorous parties in fancy houses with swimming pools in the basement. But there’s a sinister element to the whole enterprise, and the stakes are high. This isn’t student life depicted with anything resembling realism; it’s more of a psychological thriller, which uses campus life as a backdrop. Clique promises to examine the nature of female friendship, with its rivalries, jealousies, and competitiveness. Judging by this first episode, it will doubtless be a huge hit.
Photo: BBC / Sophie Mutevelian
I’m Different – Let Me Drive
20 years ago, the BBC’s docusoap Driving School made a fleeting star of one of its more memorable subjects, Maureen. Her terrifying escapades as she learned to drive made for relatively amusing viewing. Now, BBC Three are back in the driving instructor’s seat, as they film people with various physical and mental difficulties as they take to the roads, hoping to take a step towards independence by securing their licence.
While some of the characters we meet have problems holding their concentration due to conditions, such as Aspergers and Autism, others have challenges that are more corporeal. 21-year-old single mother Natasha dreams of being able to pick her kids up from school and drive them to McDonalds, instead of traipsing them home in the rain. She suffered brain damage after being knocked over by a car at the age of five, and it affects her learning – she finds it difficult to tell left from right, which is especially testing when she forgets which side of the road she’s meant to be on – but also left her with anger issues, which leads to furious outbursts as people toot their horns at her when she drives in front of them.
Stuart is of a much sunnier disposition, although the chromosome disorder he suffers from leads to severe joint pain, which makes driving for any length of time physically gruelling. The episodes follow the same pattern – the lessons, the look at the learners’ specific problems, ending with the driving test – and while it’s not going to set the world on fire, Let Me Drive is an engaging enough programme, depending on who’s behind the wheel.
Young and Sterile: My Choice
When technology journalist Holly Brockwell went public with her four-year struggle to be sterilised on the NHS last year, the immediate, vitriolic backlash she experienced came as a surprise. Perhaps it shouldn’t have. After all, the scrutiny of women’s bodies is a worldwide problem, and the constant policing of female reproductive autonomy remains one of the patriarchy’s favourite pastimes.
In this documentary, Poppy Begum speaks to Holly and other people – male and female – who have decided, relatively early in life, that they don’t ever want children, and seek to take control of their own fertility. The reasoning behind such a drastic decision ranges from person to person. One man cites a 2009 episode of Eastenders, in which Ronnie tricks her partner into impregnating her by pricking holes in his condom, and his fear that a potential partner could do the same to him. Most of the reasoning is more sound than this. Some don’t want to hand down disease or depression to another generation, some seek to avoid their own childhood trauma, while others have just never felt the maternal – or paternal – appeal.
There is one bio-ethical expert who challenges the procedures universally on the grounds that destroying healthy reproductive organs goes against the healing ethos of medicine, but other than that, the people are able to speak for themselves without judgement or condemnation. It’s an interesting look at people who have decided to take their future into their own hands.
My Unusual Vagina
Once you’ve finished watching a man getting sterilised, the next short film in BBC Three’s Extraordinary Bodies strand features a labiaplasy. This 15-minute documentary follows Antonia’s journey to get an operation to ‘fix’ her vagina, which, according to her, looks like a Big Mac rather than a hot dog (this is a bad thing, apparently), and has been the cause of insecurity and discomfort for much of her life. Determined to finally do something about it, she bites the bullet and spends over £3,000 to make her vagina look more ‘neat’.
Much of the film features Antonia discussing everything she thinks is wrong with her vagina, illustrating it with drawings, and purveying porn and social media to demonstrate the ideal genitals she’s hoping for. Although she talks at the beginning about the pain her labia causes her, it soon becomes clear that cosmetic concerns are behind her decision to go under the knife.
Antonia is accompanied by her seemingly rather confused, albeit supportive, mother to her operation, where a surgeon cuts away the offending skin. But will the results be everything she would hope for? The documentary is an interesting, yet somewhat shallow, look at a new procedure, which only usually gets talked about in mockery, and Antonia is an articulate subject. But we only ever scrape the surface of what leads her to the surgeon’s table.
The long-awaited mockumentary satirising YouYube vloggers has landed – aptly – online. In BBC Three’s new series, Liam Williams plays a version of himself, a nihilistic and dour comedian, who spends his Friday evenings googling ‘when to give up on your dreams’, when he sees an advert for a vlogging competition with a prize of £10,000 up for grabs. After uploading a drunken, depressive rant under the screen name ‘vloggy mcvolgface’, he unexpectedly wins the opportunity to learn from the great and the good of YouTube, overseen by agency boss James Wirm (Tim Key).
His first training session sees him get lessons from vloggers extraordinaire (or “self-manipulating content puppets”, as Williams calls them) Charlie and his girlfriend, Millipede, who make hundreds of thousands of pounds in advertising and sponsorship deals with their winning combination of upbeat superficiality. By the end of the 15-minute episode, Williams’ interest is piqued, and he’s created a welcome video in which he talks in a high, transatlantic accent about the importance of being ‘happy’.
It’s a great start to what promises to be a skilful skewering of a new breed of stars whose online fame bleeds into real world entertainment.
Available on BBC Three’s YouTube channel – new episodes are released at 10am every Saturday.
Luisa Omielan – What Would Beyoncé Do?
Luisa Omieilan debuted her first solo show, What Would Beyoncé Do, at the Edinburgh Fringe Festival in 2012, to huge critical and popular acclaim. Since then, it’s had seven sell-out runs at the Soho Theatre in London, spawned a book, and it’s now online on BBC Three.
Omielan’s brand of comedy is kind of like the ideal girl’s night in. Starting with high spirits, twerking, and body positivity, with some set pieces about signing on at the job centre and moving back in with her mum. it’s punctuated by Beyoncé songs and audience participation.
But as the evening wears on, it gets a little more serious, and talk turns to abusive relationships, depression and the attempted suicide of Omielan’s brother. The art to her comedy is in these effortless leaps from light to dark, wringing laughs from tragedy and demonstrating a vulnerability beneath the brashness.
By the end, as with most successful girls’ nights in, she’s talking about her ex-boyfriend and his lack of emotional availability, ending up sobbing on the floor, before getting angry and singing along to Alanis Morissette at the top of her voice, before bringing down the house to Destiny’s Child’s Survivor. This will make you laugh and cry. But mainly laugh. Watch it while you have the chance.
Now into its second run of short dramatic monologues by up-and-coming BAME writers, The Break continues to deliver unshowy yet revelatory character driven narratives, which get under the skin of their young protagonists.
In Tits, Adelle Leonce stars as an office worker whose drunken game of truth-or-dare spills into her office life, meaning she must now attempt to retrieve photocopies of her boobs from her boss’s inbox. While it starts off as humorous, it runs the gamut of emotions, from fear and panic to vulnerability and, ultimately, hope.
Etching, meanwhile, gives us Broadchurch’s Charlotte Beaumont as a woman trying to break away from her far-right family, and it’s a thoughtful examination of what it means to be ‘loyal’ to a community which is doing harm, and whether being part of that community is viable.
These are just the first two of the new, five-part season. Like the previous run, they showcase disparate voices with a lot to say about the push and pull of modern life.
Available on BBC Three’s YouTube channel.
The Natives – This is Our America
As the protest against the Dakota Access oil pipeline verges on collapse, this is a timely yet ultimately rather disjointed overview, showing the reality for the Native Americans who live in the reservations of South Dakota.
The filmmakers focus on the struggles of the young people brought up in Pine Ridge, home to 40,000 Native Americans. After generations of war with the US government, half of the people living there do so below the poverty line. Life expectancy is 52 years old, there’s a high suicide rate, and problems with drugs and alcohol are rife. Many kids drop out of high school, and very few are able to go to university – mainly because they can’t afford to.
The documentary forefronts the need for the young people on the reservations to be taught about their heritage and understand where they come from, having had their religion and customs effectively stripped away for decades. Now, community leaders help them as they take part in traditional bull hunts, and some of them – including transgender teen Sky, who has his own set of problems – go to join the mass protest against the pipeline.
While the film seeks to extract messages of hope, it’s hard to see how anything will change for the kids on the reservation in the near future. With the forcible dismantling of the DAPL protest, the documentary shows leaders and tribal activists trying to keep a revolutionary spirit alive, seeking to protect not just their breathtaking landscape, but also their way of life.
City Boy Fight Club
You have to pity these poor ‘city boys’. By day, they are privileged estate agents, riding around London in their jeeps, showing overpriced flats to people with rich mums and dads, but come nightfall, they are forced to stare deep in the empty caverns of their soul, only to find an unimaginable emptiness. Their attempt to fill that aching void leads them to challenge each other to boxing matches in the hope they can punch the pain away by destroying their mirror images inside the ring.
We follow Josh, “head of assets” at a central London estate agent, as he seeks a rematch with Challon, whose claim that his shoulder popped out of its socket (a claim disputed by Josh) resulted in their first match being abandoned.
The main tension rests in whether ‘Challon the Assassin’ will actually turn up to fight ‘Josh the Bull’, as through much of the programme he claims not to be bothered by the whole thing. Pre-match ‘takedowns’ in the run-up to the fight involve awkward moments when they’re not sure whether to greet each other in the boxing gym where they train, with Josh claiming his shaking hands are to do with anger rather than fear. Interviews with their trainers, and a voiceover that warns us about the dangers inherent in unregulated white-collar fights, attempt to give the whole escapade more gravitas. We won’t spoil anything for you, other than to say the ultimate showdown turns out to be more of an ultimate let-down.
BBC Three continues to produce some of the best mockumentaries around with this amusing look at rural life in modern Britain. “Young people feel more marginalised than ever,” the opening titles tell us of the current generation of kids growing up in the UK. Our heroes? Kerry and Kurtan Mucklowe, two cousins who are more best friends than relatives. Growing up in the Cotswolds, they’re constantly at odds with the community around them, but furiously loyal to each other. That attachment is evident just from the chemistry between real-life siblings Charlie Cooper and Daisy May Cooper, who write and star in the show. They’re surrounded by the typical supporting cast of eccentric characters, but This Country opts for sympathy over stereotypes, something that makes the laughs notably slower to build, yet more rewarding. There’s a sadness and a silliness to the show, as it taps into a marginalised community with heart, wit and a lot of swearing. “While you’re pining over Noel Edmund’s House Party, you’re missing out on Alan Carr’s Chatty Man,” observes Kurtan, profoundly, the voice of a lost generation. Read our full review Words: Ivan Radford
Double Mastectomy Twins
This thoughtful and ultimately life-affirming documentary focuses on twin sisters Rose and Charlotte, as they prepare for the double mastectomies that will dramatically decrease their risk of developing breast cancer. Having lost their mother to the disease when she was just 39 years old, the twins both tested positive for the BRCA2 gene. By opting to get mastectomies, their chances of getting breast cancer drops from 85 per cent to 12 per cent – a lower risk than that of the general population. Having seen what cancer can do, their decision seems like a no-brainer, although that doesn’t make the operation and its consequences any less daunting.
They hold farewell parties for their boobs, taking plaster casts of them to remember them by, before they go into surgery (the documentary features quite graphic footage). All the while, off camera, their father, too, is fighting a losing battle with his own cancer. Their ordeal brings back memories of what they went through when their mother died, and their gran shares the keepsakes which were left for them, packed up in a box until they felt ready to go through them.
It’s all very moving, and Charlotte and Rose deal with things in different ways. But what shines through is their will to live a long and happy life, and their gratitude at being given the opportunity to escape a fate that was laid out for them by a genetic predisposition beyond their control.
3 Guys Eat
The Chicken Connoisseur recently proved that there’s an appetite for takeaway reviews, and likeable comedians Mo Gilligan, Johnny Cochrane and Kae Kurd capitalise on it. In between gigs, they drive around on a mission to find the best takeaway in the UK, starting with Randy’s Wing Bar in Hackney Wick, London.
This seems an altogether more upmarket joint than any The Chicken Connoisseur has visited – along with their chicken wings covered in lashings of sauce and topped off with a blue cheese dressing, they get chicken liver popcorn (chicken livers covered in panic breadcrumbs and deep-fried).
This prompts a conversation about the benefits of offal (it’s good for sperm, apparently), as well as some lighthearted musings on free range chicken versus its steroid-pumped counterpart. The programme is informative too, as Mo demonstrates the best way to eat a chicken wing (one full 360 rotation, while sucking every last bit of meat off the bone), while Johnny is ridiculed for his rather more prim method – proof positive, Mo says, that he’s mixed race, and “definitely eating via the white side”.
All in all, this is a pretty tasty morsel of TV. Without wanting to spoil anything, Randy’s chicken proves something of a hit, with its pleasing meat-to-sauce ratio and the elegant way in which the blue cheese melts on top of it. The clip for the next instalment looks less appetising, featuring a bag of very sweaty chips.
Available on BBC Three’s YouTube channel.
The Real History of Sex
Comedians Cariad Lloyd and David Reed wrote and voiced these short animations, which look at sex, dating and make-up through the ages. Lloyd plays a dim vlogger who interviews Reed’s sex historian Donald Greenacres in a hot tub, occasionally joined by random and bemused repairmen, supermarket delivery people, and Lloyd’s gran.
The little nuggets of sex trivia include the fate of the woman who wrote the first lonely hearts ad (she was put in a mental asylum for four weeks) and the fact that sex toys date back to caveman days, making them older than shoes and cheese. Roman make-up tips include rouging your face with animal dung. Fashion, meanwhile, is presented as an ever-present threat to women of the past, as organs were displaced by corsets and immolation was rampant due to wearing highly flammable materials next to open fires. We also find out that the rumour that the Nazis created sex dolls is fictitious, made up “to make Nazis look bad”, although it’s probably fair to say the Nazis didn’t need much help in that regard. The series is a curiosity – it’s gently amusing while also being reasonably interesting – but it’s ultimately somewhat throw-away.
Available on BBC Three’s YouTube channel.
The Brit Who Tried to Kill Trump
Last June, as Donald Trump was on the campaign trail, a 20-year-old from Dorking in Surrey turned up at one of his rallies. Having waited overnight in a queue to be granted entry to the Las Vegas venue, Michael Sanford sat through less than 10 minutes of Trump’s speech before approaching a police officer and attempting to snatch his gun. He was wrestled to the ground and escorted outside, where he admitted to officers that he had planned to murder the future US president.
This documentary, which first went online on the day of Trump’s inauguration, joins Michael’s family as they await his sentencing. His mother provides background to her son’s mental health problems, while his father voices his concerns that the vulnerable young man was somehow groomed to take the drastic action he did.
While unable to provide definitive answers as to what led Michael to the course of action he took – when filming took place, he was locked up in solitary confinement in a Death Valley prison – it’s an intriguing documentary, telling the very human tale behind the garish headlines.
Annie Mac – Who Killed the Night?
When London’s Fabric was shut down last year, after two clubbers died drugs-related deaths, many were up in arms. Though it has since reopened after introducing new regulations, the closure pointed to a shift in British nightlife, which has been on the cards for some time. With venues being demolished up and down the country to make way for flats and commercial developments, it seems that the days of the super club are numbered.
Annie Mac’s look at the reasons behind the changing face of British clubbing is, unfortunately, pretty slight. While she talks to club owners, promoters, property developers, London’s “night tsar” Amy Lamé, and club-goers themselves, she veers towards a rose-tinted, golden-era depiction of the past, and it’s very much a London-centric look at the issue. While paying lip-service to smaller, underground (and illegal) club nights, where many feel the future of nightlife lies, Mac prefers to concentrate on the age of the superclubs, making the documentary seem dated even before the end of its running time. It ends up being a rather sanitised look at a youth culture which has long since grown old.
Bunny Boiler’s Dating Vlog
Scottish writer and comedian Rachel Jackson was performing a short, self-written show – based on her own experience of being dumped – at Edinburgh’s Fringe Festival when she came to the attention of BBC Three. Her “Bunny Boiler” dating vlog is now being screened in the run-up to Valentine’s Day, and it’s a great wee antidote to those of us averse to rather more typical tales of romance.
Jackson’s character Cassandra is newly single and shares her experiences with the viewer in a series of intimate, straight-to-camera monologues. Though the title suggests someone slightly desperate and stalkerish, the irrepressible Cassandra bucks expectations by having an innate knowledge of her own worth and enjoying life to the full. Whether she’s flirtatiously nibbling on her dentist’s fingers, or free-style rapping to the man sitting next to her on the bus, she’s not necessarily successful in the art of the pick-up, but she dusts herself down quickly and is on to the next man in no time. Jackson is likeable, funny and charismatic, and her short dispatches are less about romance than they are about self-love. Recommended.
Available on BBC Three’s YouTube channel.
Reggie Yates – Hidden Australia
Ah, Australia. Land of never-ending sunshine, surfers and barbies on the beach at Christmas, of neat little houses nestling into Ramsay Street-style suburbs, unburdened by the vagaries of the outside world. But that’s not the whole story, as Reggie Yates’ new documentaries demonstrate. Like so many other places in the world, modern-day Australia was borne from the systemic oppression of its indigenous people, resulting in a traumatised population who are still coping with the damage inflicted upon them.
The first instalment, Black in the Outback, looks at the Aboriginal community in Wilcannia, where unemployment and hopelessness leads to drug and alcohol abuse. It’s all very depressing, with many of the interview subjects seemingly unable to unpack or articulate exactly why they live the way they do – until about halfway through the film, when Reggie meets a woman called Monica, who provides a concise historical and contemporary background. It’s a devastating and thought-provoking couple of minutes in a documentary that is otherwise an interesting overview, albeit one that barely scratches the surface of the subject.
From here, Reggie goes to Melbourne, where he meets people, from all walks of life, who have been affected by the drug known as ‘ice’, the purest and strongest form of methamphetamine, which can cause psychosis and violence in its users. Reggie, a teetotaller who has never so much as smoked a cigarette, finds if difficult to get his head round such damaging addictions, but acts as a witness to the devastating effects of the drug. It’s grim, but it’s a necessary look at the underbelly of the largest island in the world, and a place which many westerners still see as something of a playground.
Tourettes: Teenage Tics
It seems that every 10 years or so, a documentary is made about young people who suffer from Tourettes. In 1989, John Davidson was the subject of ‘John’s not Mad’, which originally pushed the topic into the public’s consciousness. In 2002, Greg Storey took part in the follow-up documentary ‘The Boy Can’t Help It’. BBC Three’s Teenage Tics, the latest addition to the canon, features 12-year-old Rory Brown, who is about to enter adolescence and is coming to terms with the syndrome.
By mixing the footage from the previous two programmes, and inviting Rory to ‘Tourettes Camp’, which John runs, the three share their experiences of living with the syndrome. Rory is still trying to make sense of it, though things are slightly easier for him than they were for John and Greg, thanks to a greater general awareness. His teachers are supportive, working with him one-on-one to keep his education up, and organising, too, visits to the local police station to introduce them to someone who, in years gone by, might have been written off as a troublemaker.
But it’s at the camp that Rory really comes into his own, able to mix with people who are suffering from the same problems as him. Greg – who made up his own language when he was a boy in order to communicate with himself, and who now utilises that in his work as a computer coder working on data compression – takes the time to teach Rory the drums, which have proven effective in his own battle with Tourettes. The documentary becomes about acceptance, about how best to incorporate the syndrome into your life so that it works for you rather than against you. As such, it’s an interesting and ultimately uplifting film.
Photo: BBC/Bohemia Films/Min Clough/Dan Baskerville
Refugee Diaries (Box Set)
This terrific little three-episode series of 10-minute films introduces us to Thaer, a Syrian who hopes for the chance of a new life in England after air strikes target his home in Idleb. We first meet him in 2015, as he says goodbye to his family to begin his journey across the Mediterranean, spending three months in the camp in Calais before smuggling himself over the Channel. But the bulk of the series covers what happens when he gets to England. After getting out of a detention centre, he’s punted around from city to city, ending up in Newcastle, where he has an interminable wait for the Home Office to decide whether to grant him asylum, set against the backdrop of a divisive Brexit campaign. From there, he moves to London, where he tries to put down roots with the odds stacked against him – all the while watching news from Syria, and trying to keep in touch with his family and friends who are still there. Thaer is an articulate, intelligent, and sympathetic guide to the obstacles refugees and asylum seekers face in their effort to make a life for themselves away from their war-torn countries. This is a moving snapshot into their lives, and the kind of programme the BBC was designed for.
Illegal Job Centre / Gang Girls
Following on from her look at the flow of contraband into UK prisons, Livvy Haydock is back with two new short documentaries. In the first, Illegal Job Centre, she investigates the exploitation of migrant workers by unscrupulous bosses, while in the second she focuses on girls who are caught up in gangs. The incredulousness and naivety displayed in her original prison documentary has been toned down a little, but it’s still evident, as she expresses horror that the people who pick up illegal workers from car parks to take them to work for half of what they would be paid as documented workers. While the migrants are being charged £60 a week to live on mattresses side by side with each other, 21 to a house, they are getting up at 5am in order to stand in car parks hoping that a white van will come and retain their services. But it’s hard, dirty, unsafe work, and they often end up with injuries which lead them to life on the street, replaceable in the eyes of the builders who employ them.
In Gang Girls, Haydock speaks to women who have been groomed into joining gangs, where they are often sexually exploited and used as drug mules and procurers. The difficulty of getting them out of the vicious cycle they inhabit is explained by health and social care professionals, while the gang members themselves talk about their own experiences on the condition of anonymity. Both documentaries are glimpses into marginalised lives which are undervalued and lived in the shadows, but they come off ultimately as rather superficial, offering no real insight into the worlds inhabited.
Available on BBC Three’s YouTube channel.
Unconditional is Bryn Higgins’s first film – he followed it with Electricity, which was screened last year on BBC Three – and it’s a strange beast. Billed as an “unconventional romance”, what it actually depicts is a disturbingly abusive relationship. Owen (Harry McEntire) and his sister Kristen (Madeleine Clark), 17-year-old twins, are isolated from their peers and Newcastle community, as they look after their ill mother, played by Melanie Hill. When Kirsten applies for a loan, they meet financial advisor Liam (Christian Cooke), who quickly begins an obsessive and damaging relationship with Owen. What starts out as coming-of age sexual experimentation quickly descends into a spiral of emotional and mental abuse meted out to the shy and sensitive Owen, who manages to fall into the clutches of an extremely disturbed individual. The performances are excellent across the board, but are let down by a script that seems to invite us to try to understand and sympathise with an abuser. The promise of violence is never far from the surface, and when it does erupt, it goes on for an extended amount of time, making Unconditional gruelling, almost sadistic viewing.
The Cost of Cute: The Dark Side of the Puppy Trade
In this excellent but rather traumatising documentary, Grace Victory investigates the puppy trade, and the harm humans are doing to man’s best friend in the quest for cuteness. Be warned, the programme includes some upsetting footage, shot by the RSPCA and customs officials, of dead puppies in wheelbarrows or discovered in plastic bags in the back of vans. There are, too, graphic descriptions of illegal puppy farms, where bitches are treated like factory farmed chickens – kept in cages and mechanically fed, given hormones to force them into heat, and delivering litter after litter of puppies, who are briskly whisked away.
The bitches have a lifespan of about four years, while their puppies don’t fare much better. Taken from their mothers before getting the necessary nutrients, and not being vaccinated before being transported in hidden compartments of lorries, they are treated like livestock. Many people who buy puppies from the internet aren’t aware of their provenance, as the criminal gangs behind these enterprises are well-versed on how to make it seem as though the dogs come from loving homes. But new owners often welcome their new family member only to find they often have severe health problems – 20 per cent of puppies born online will die within 6 months.
This is one aspect of the programme, but Victory’s hypothesis is that the consumer has to take responsibility not only for the animals they buy but for the rise in certain flat-faced breeds, which are increasingly popular – and Instagram-friendly – even as their health problems make them less desirable. The most smuggled dogs are the ‘cute’ ones – French bulldogs, pugs and miniature dachshunds – the kind of breeds that often have to have expensive surgery in order to correct problems that have been bred into them, resulting, in many cases, in the dogs being abandoned when their owners can’t afford the treatment. The number of pugs abandoned at Battersea Dogs Home has tripled in the last 5 years.
It’s all extremely depressing, but it should be required viewing for anyone thinking about buying a dog. Which, as an aside, is not compulsory, as the many, many abandoned puppies in dogs’ homes up and down the country attest to – the adorable, tiny one-eyed pug Grace meets during filming being an example of the kind of dog that needs a good, loving home.
This new boxset of three half hour documentaries features Hayley Pearce, former tea lady from BBC Three’s The Call Centre, looking at topics as far-ranging as plastic surgery, finding love online, and getting drunk in Benidorm. That it’s not exactly a groundbreaking series is something of an understatement.
In the first episode, My Perfect Body, she speaks to Jordan James Park, the guy who has spent somewhere in the region of £130,000 on surgery to make him look more like Kim Kardashian, and who has already featured quite extensively in the pages of The Daily Mail and various women’s magazines. He speaks about his disaster with lip filler, and, sadly, that’s not the only filler you’ll find in the documentary. Hayley observes an hour-and-a-half breast implant operation, which she describes as “90 minutes which could change a life”, although it’s not clear how exactly it could be described as a life-changer, and then swiftly cuts to her describing how her own boob job didn’t change her life at all, and how she wishes she’d saved her money and not bothered with it. Moving swiftly on, there’s an interview with a woman who went to Thailand for a discount botched tummy tuck, before Hayley meets up with the original surgery addict, Alicia Duvall, a woman who’s told her story more times than she’s been under the knife.
This is a curiously uninsightful and old-fashioned documentary, which covers ground that has already been well trampled on. It’s not clear why exactly it was made, other than perhaps to launch Hayley Pearce’s career. We won’t spoil whether she decides to get lip fillers at the end of it, mainly because you won’t be bothered to keep watching until then.
The Ladventures of Thomas Gray
Lads, eh? Lads and their bantz! You all thought you’d had enough of that sort of thing, and yet here we are, on the cusp of 2017, with BBC Three launching a new boxset devoted to, well, LADdventures. Fortunately, Thomas Gray isn’t really your Dapper Laughs kind of lad, and this programme, while being quite affectionate towards its subjects, is simultaneously sending them up. As Gray travels to Essex then Newcastle, he finds groups of young men (lads) who enjoy such diverse activities as boxing, weightlifting, going to clubs and drinking, playing football, pulling pranks, going to pubs and drinking, hanging out with their friends, playing charades, and, sometimes, staying in and drinking.
Clearly, just going to different cities and drinking with different groups of young men (lads) was turning out to be a little repetitive, though, so in Episode 3, things switch up, and Gray investigates grime music, and in the final programme, he speaks to somewhat creepy pick up artists, who give him tips on how to talk to women, with varying results.
It’s all quite good natured, even the foray into the kind of gross and unpleasant world of the pick up artist, and Gray is an entertaining host, who can subtly take the mickey out of the people he’s with, without completely humiliating them. It’s a fine line, but he pulls it off with aplomb, and this is a box set which, while a little pointless, is nonetheless relatively inoffensive. High praise, indeed!
Sex, Drugs and Murder – So This Is Christmas?
The merry Christmas edition of BBC Three’s Sex Drugs and Murder strand of documentaries allows us to catch up with the sex workers based in the managed red light zone of Holbeck in Leeds. Perhaps unsurprisingly, it’s not exactly full to the brim with festive cheer. Kayleigh’s just had a terrifying experience with a client, which has sent her into a downward spiral, and is back using drugs. She’s looking forward to a Christmas of not working – because, although she herself won’t be able to spend the day with her family, she feels her clients should.
Sammi Jo, meanwhile, is anticipating a lucrative day, and she has found in years gone by that men spend the Christmas having dinner with their families before leaving the house to pay for sex.
Adele and her cousin Amy keep up the seasonal tradition of familial fall-outs, by arguing over money and drugs, and Adele is left looking for a cheap bedsit to stay in. She’s just happy she’s not in prison, as she has been the past three Christmases, when she’s been locked up for shoplifting.
The programme is an examination less of sex work and more of what people have to put themselves through in order to feed their addictions, and with each episode, the regular viewer is just happy that nothing too horrific has happened to its subjects. Their day-to-day life is horrifying enough.
Sex on the Edge (Box Set)
This set of five films, all under 10 minutes, explores some of the more unusual and less-discussed sexual peccadilloes, most of which remain unacceptable in wider society. It’s eye-opening stuff, veering from race play (where racial abuse and stereotyping is employed for sexual pleasure) to chastity play (where you literally lock up your genitals in a little cage and hand the key over to someone) via age play (with its daddy/dom and ‘little’/sub dynamic). Most shocking (not to mention dangerous) are ‘rape play’ and ‘breath play’, due to their grey areas of consent, and the kind of trust involved in making them work with no physical or mental damage to either party.
Fans of each genre are interviewed, describing their fetish in some detail, and are intercut with sex experts and sociologists who give us some much needed background and insights into the possible motivations at work. It makes for pretty fascinating and thought-provoking viewing, but it’s not for the prude or the faint-hearted.
Available on BBC Three’s YouTube channel.
Drugs Map of Britain, Episode 6. Newcastle: Super strength Ecstasy
In this 20-minute look into the world of MDMA, Poppy Begum goes to Newcastle, where she meets just a few of the vast number of young people who take the substance regularly for recreational purposes. Hanging out with them outside nightclubs, they open up to her about their feelings of alienation, anxiety and depression, which they say the drug alleviates.
The documentary gets darker when an 18-year-old female dies, after taking ecstasy at a nearby club. While club promoters refuse to speak to Begum about the incident for fear of having their licenses removed, the users she speaks to tell her that it won’t put them off taking it. Students for Sensible Drugs Policy (SSDP), meanwhile, sell packs which are designed to give people safer clubbing experiences. The packs include things like chewing gum and also drugs testing kits, which gauge how much MDMA is in any given pill or powder, and gives users an idea of any other drugs they contain, and how much they can feasibly take without overdosing. This documentary probably won’t tell people anything they don’t already know, but it’s a balanced look at something the mainstream still seem to have a problem talking about honestly.
Brainwashing Stacey: Living with Big Game Hunters
Stacey’s on her second outing to find out what it would take for her to change her mind about something she really believes in, and this week she’s looking at the hunting of rare animals. Post-Cecil the lion, trophy hunting is persona non grata, although, for many, it has never been a popular pastime. Those who are ‘for’ it present arguments concerning conservation issues – by sacrificing the life of one animal, they contend, many more are kept alive. Joining American hunter Marc and his 12-year-old son, Jaken, as they travel to South Africa for a two-week holiday at a 4,000-acre enclosed game ranch, the arguments are laid out by Gordon, the ranch owner, and other hunters, but the reality of going out and killing for the enjoyment of it remains anathema to Stacey. When Jaken proudly shows Stacey a video of him killing a bear, then giggling and high-fiving his father before joining him in a post-killing prayer, Stacey expresses bafflement. Whether she can bring herself to actually try to kill something herself seems doubtful, but in the end, as usual, she manages to humanise the people she meets, even as they participate in an activity that, for many, is beyond comprehension.
Ackee & Saltfish
This fresh and funny series breathes new life into the flatmate comedy. Written and directed by Cecile Emeke, Ackee & Saltfish started off as a short film, which turned into a web series before being picked up by BBC Three. Focussing on the friendship between Olivia (Michelle Tiwo) and Rachel (Vanessa Babirye), their relationship a very different beast from the ‘Yas Kween’ mutual admiration society style of other female duos. Instead, the pair constantly sniping and bickering at each other over various mundane issues (is “backbread” a delicacy or is it trash?) and engage in extended wind-ups over concert tickets.
The same argument goes on for full episodes, the quick caustic put-downs demonstrating the depth of their friendship, while also being incredibly funny. The single camera style, and quick cuts between the different locations where the same never-ending argument carries on, gives this a vitality and marks it out from other, more sedately traditional comedies.
Brainwashing Stacey – Anti-abortion Camp
Stacey’s latest dispatch takes her to California, where she spends two weeks at a summer camp with a difference. Organised by a group called ‘Survivors’, it’s a training ground where campers aged between 11 and 24 learn radical frontline activism tactics in a bid to end legal abortions.
Stacey joins the group on their outings to various busy beaches, where they stand with placards featuring photos of aborted embryos and get into heated debates with passers-by, who object to their message and the way in which it’s spread. Jeff White, the group’s organiser, also takes them to a cemetery where the remains of 54 foetuses are buried after having been dumped nearby some 20 years ago, on their way to a medical waste facility. The young campers become very distressed, and White compares the ‘abortion epidemic’ to the Holocaust.
Finally, they head to an abortion clinic, where a large brick wall has been newly built in order to keep protesters away from patients and staff, and they scrawl messages in chalk on the pavement, leading to a confrontation with a woman who has been receiving treatment there. As Stacey manages to get a quick interview with her, it’s a welcome look at the personal distress the anti-abortionists cause people at a time which is already extremely difficult.
Throughout the documentary, Stacey is at pains to stress that this all goes against her beliefs. Stacey being Stacey, though, she can’t help but form bonds with the young people she shares the experience with, who remain rigid in their stance. While they believe that they are putting something positive into the world, the ramifications of their actions are shrugged off whenever they are pointed out. Doubtless no one will change their minds after seeing this documentary, but it’s an interesting look at the individuals behind the angry, faceless mob.
Stephen Port has now been jailed for a whole life term for the murder of four young men and the drugging and sexual assaults of several others. In this 20-minute documentary, John Pape, a friend of Port’s second victim, Gabriel Kovari, speaks out about the failings of a police force that allowed Port to go undetected.
Gabriel was killed less than a week after moving out of Pape’s house, and although Pape was assured by police it wasn’t murder, he was concerned when he found out that another young man, Anthony Walgate, had been found dead nearby just two months earlier. Three weeks after Gabriel’s body was found, Port’s third victim, Daniel Whitworth, was found in the same place as Gabriel, by the same dog walker. Despite all this, the police did not think a predator was at large, accepting on face value the explanations of accidental drug overdoses and suicides. Only when Jack Taylor was found dead in the same graveyard, in the same circumstances, almost a year later, did a proper investigation begin.
The Met police has now referred itself to the IPCC over ‘potential vulnerabilities’ in its response to the four murders, and Pape suggests that a lack of diversity within the police force led to the assumption that the dead men were victims of their own lifestyle rather than a predator. The refusal to investigate, despite the urgings of family, friends and advocates from gay rights organisations, could, it is suggested, have prevented at least one murder and several separate rapes and sexual assaults. This documentary is a story of searing anger and long-lasting grief, as the deaths of young men were treated with indifference due to alleged unthinking, systemic bias.
Stand-up comedian Dane Baptiste, who was nominated for a Edinburgh Comedy Award for Best Newcomer in 2014, brings his sitcom-with-a-twist to BBC Three, after a successful pilot at the end of last year.
Living at home with his parents and twin sister, and stuck in a boring 9 to 5 job, Dane’s inner life is spiced with pop cultural references. In the first episode, it’s his dad’s birthday, and the whole family are round for a surprise party, which ends with Dane drinking too much rum in the conservatory and making a bit of a fool of himself.
The programme is full of talent, from Rising Damp’s Don Warrington as Dane’s dad, to Broadchurch’s Gbemi Ikumelo as his sister, and has a lot of potential, mixing an old-fashioned format – the suburban sitcom – with a young take. Straight-to-camera monologues are mixed with fantasy rap videos and Dawson’s Creek theme tune interludes; one skit involves his family reimagined as the Kar-Dane-Shians. It does, though, suffer somewhat from being slightly too self-aware; just as the viewer is getting used to Dane’s cousin, Christian, being the personification of Carlton Banks of the Fresh Prince of Bel Air, Dane refers to him as “the pound shop Carlton Banks”. It’s all a bit obvious, as if the show thinks the viewer can’t do the work for themselves.
It is, though, things like the fantasy rap videos, the juxtaposition between Dane’s dull reality and his technicolour fantasy world, that elevate Sunny D from your usual genre TV to something newer and fresher. Whether these small nuggets of gold can overcome the otherwise slightly laboured script remains to be seen.
Stacey Dooley on the Frontline Girls, Guns and ISIS
In August 2014, ISIS took over Sinjar in northern Iraq, killing thousands of Yazidi men and capturing more than 5,000 women and children, in the largest mass-kidnapping of this century. It is estimated that around 3,000 of these women and girls are still held captive by ISIS. In this documentary, Stacey Dooley joins female Yazidi fighters, as they prepare for the frontline in their war against ISIS, and hears their eyewitness testimony of their own escapes.
That the women have been through unimaginable horrors goes without saying. Each young woman has her own story, and Dooley tries to coax them into telling them, as she exchanges make-up and curls the eyelashes of her interviewees. Some are too overcome with emotion to articulate exactly what they saw, though what we do hear is horrifying enough – graphic descriptions of rape, torture and violence. “Even if I killed thousands, it would not be enough for our revenge,” says one, and there is a grim satisfaction in the women recounting that ISIS fighters believe they won’t get to heaven, if they are killed by a female.
Stacey says the barracks “feels like a summer camp”, as the women relax in bunk beds listening to music and giggling, and it’s an opportunity to support each other away from the refugee camps where the girls were recruited. But it soon becomes clear that they are suffering from severe mental trauma, having never had the opportunity to come to terms with what has happened to them. Everyone here has been affected, even Dooley’s female translator, and as they return to the rubble of Sinjar to join the Peshmerga at the frontline, she reminisces about how it was before the invasion – a place of life and activity, music and laughter and community. “Everything can come back, but people will never come back,” she says.
This is a typically sensitive documentary from Dooley, which raises many questions, while unsentimentally showing the grim reality of life for the persecuted Yazidis, a people who have never known peace.
Breaking into Prison
In this short and rather unilluminating documentary, Livvy Haydock looks at the way in which contraband gets into UK prisons, speaking to people both inside and outside the prison industrial complex, who facilitate the supply of mobile phones, drugs, and weapons.
Meeting dealers in underpasses, who package up logs of weed before they are passed to a “mule”, who will stick them up his anus in order to get past security, she is surprised when they tell her the kind of money that can change hands for things like basic mobile phones and synthetic drug spice. A complicated graph shows how “networks” of people conspire to get the stuff – from the dealer to the contact to the mule and then into prison.
Targeted drones laden with drugs and weapons can also be used, with prisoners flashing lights to attract them to the window of their cell. And, of course, prison workers themselves can get things past security much more easily than visitors or returning inmates.
None of this can come as much surprise to anyone who knows anything about life on the inside, or who has even watched any TV in the last few years. Haydock comes off simultaneously naive and savvy, feigning surprise at revelations that seem fairly obvious. None of the bigger questions are addressed about the systemic complicity in getting the contraband into prisons and whose interests it serves, nor the effectiveness of attempts to counter drug addictions and criminality.
This six-part, 40-minute spoof series introduces us to “televisionary” Christoph Spinelli, a documentarian who specialises in true crime documentaries and miscarriages of justice. Spinelli, played by The Mighty Boosh’s Rich Fulcher, is a legend in his own mind, although ratings are more important to him than getting to the truth of a case.
In Sexy Murder, he investigates the ‘disappearance’ of Polly Worcester and the subsequent witch-hunt of neighbour and cat-lover Tom Jessop, a man whose assumed guilt rests on the fact he enjoys video games, lives alone, and doesn’t have a girlfriend.
While Spinelli and the documentary team attempt to prove Jessop’s innocence (“78 per cent of people we surveyed said Tom had innocent eyes”), they are nonetheless integral in getting him wrongfully accused in the first place. As they reconstruct a crime they don’t know happened, in order to prove someone who hasn’t been accused of it couldn’t have done it, they lead police straight to the door of the “loner”.
Featuring turns from Shaun Williamson and Maggie O’Neill as Tom’s bemused parents, this is a gently amusing and highly ridiculous take on our obsession with popular real-life crime series like Making a Murderer, The Jinx, and the podcast Serial. The cast is universally excellent, but for our money, Mick Mohammed steals the show as Jessop’s inept lawyer.
Sex, Drugs and Murder – Complicated Love
It’s somewhat ironic that in the same fortnight as the miscarriage-of-justice parody Sexy Murder, BBC Three is screening the second part of the excellent – yet terribly named – Sex, Drugs and Murder, which looks at the lives of some of the sex workers in the managed red light district of Holbeck in Leeds.
We catch up with Sammie Jo, who featured in the first episode. Now with a new boyfriend, who goes out with her as she works to make sure she’s alright, she’s spending up to £120 a day on crack and heroin, having fallen back into the habit, after having been raped. Sammie Jo is as forthright as ever, but her life is increasingly chaotic, which leads to her being parted from her beloved quails.
We are also introduced to Kayleigh, who has been working the streets for the past 12 years. She describes how her heroin addiction led her to sex work, which so disgusted her that she would come home and rub herself raw with bleach. From a loving family who nonetheless could not prevent her descent into serious addiction, she has three children, all of whom now live with her mother. Having recently adopted a puppy, Princess, she describes how she needs to be needed.
The Holbeck managed area remains controversial, but the pilot scheme has been extended, which is a favourable development for the women working there. In the first 8 months of 2016, the documentary tells us, 44 incidents have been reported in the area – although it doesn’t provide any information about any convictions, other than the fact that the man Sammie Jo said attacked her was found not guilty.
This is a welcome update on the women at the front line – likeable, engaging people who are courageously open about the problems they face, yet who fear for their personal safety every time they go to work.
Trump’s Unlikely Superfans – Angla Scanlon
Angela Scanlon’s back, and she’s in the USA, interviewing the proverbial Christmas-voting turkeys – people who support presidential candidate Donald Trump, even as his rhetoric attacks them.
Miriam, a second-generation Mexican American, supports the building of the much-touted wall on the border of Mexico and America in order to stop drugs coming through, while Alex, a young, seemingly affluent African American, believes hand-outs are keeping the black communities down, asserting: “I want us to pull ourselves up by our own bootstraps”. Attractive blonde twins Sarah and Sam, meanwhile, support Babes for Trump, and shrug off any suggestion he may have dubious attitudes to women. Scanlon doesn’t so much challenge their positions, or the paradoxes that lie within them, rather than raise a knowing eyebrow to the viewer.
She interviews, too, people who are less surprising Trump supporters, including Internet troll Milo Yiannopoulos, apparently famous in America for “his unique blend of extreme right wing humour”, currently visiting US colleges on his “Dangerous Faggot” lecture tour. He tells Angela that politics is more about entertainment than anything else (this is a post-truth age, after all), and that people vote for Trump because they’re rejecting ‘political correctness’.
In North Carolina, she meets Ryan and John, who set up Students for Trump. They decorate the room they’re being interviewed in with “I Love Capitalism” posters, and sell Mace at election rallies. She ends the programme in a Kentucky pizza parlour, where she listens to white supremacist Matthew Heimbach, leader of the Traditionalist Worker Party, and is rendered speechless as he articulates his views on the benefits of ethnic nationalism.
It’s all incredibly depressing and Scanlon covers far too much over the 40-minute running time, leaving herself not much opportunity to do more than scratch the surface of Trump’s appeal – especially to the very people he rails against. By including people like Heimbach and Yiannopoulos, without any effective opposing voice, it’s an uncomfortable watch, less informative than it is infuriating.
From the very beginning, BBC Three’s Class feels like a fresh approach to the universe of Doctor Who and creator Patrick Ness immediately makes his own voice heard. His characters are likeable and immediately engaging, and even when The Doctor turns up, it never feels like he’s leaning on brand recognition. Coming some time after previous spin-offs Torchwood and The Sarah Jane Adventures, Class plants itself somewhere between the two, pitting school students against aliens in a much more grown-up setting than in its long-running parent show. It’s also much scarier and more mature than any of them. Who meets Buffy? It’s just what the Doctor ordered. Read our full review.
Reggie Yates – Life and Death in Chicago
Fresh from his stint in a Texan prison and as a soldier in the Mexican army for his previous BBC Three documentaries, Reggie Yates now heads to Chicago, to take a sober look at the city’s gun violence epidemic. In a place where the murder rate has risen by 72% over the course of this year, Reggie finds communities trying to cope with loss on an unimaginable scale.
At a community meeting, he hears the angry testimony of people who have lost loved ones at the hands of the police, while at a police motorcycle rally, family and friends commemorate the lives of officers who have been killed in the line of duty. He meets a female pastor, who worked as a volunteer liaison between the community and police, until she herself was targeted by officers, while in her car with her two young children. She shows Reggie footage of the incident, in which one officer sprays her with pepper spray, while another officer stands by and laughs.
But the documentary is not just about police brutality – it also delves into the murky water of black-on-black violence. Lee McCullum Junior, an honour roll student, was found in his car with multiple gunshot wounds to the head, and Reggie attends his funeral. He listens as a family friend give an impassioned speech on the evils of gun crime, yet as mourners emerge from the church, there is already talk in the air about retaliation for Lee’s death.
There are no easy answers on how to tackle any of this, just a whole loads of bemused, bewildered, and grieving people in a city where guns and deprivation are fuelling segregation and prejudice, a microcosm of the country as a whole. Reggie and director Toby Trackman treat the subject sensitively, in a documentary which reveals the human toll behind the headlines and statistics.
Being Black, Going Crazy?
Keith Dube, aka Mr Exposed, takes a look at black mental health in this documentary, and while it’s an important and long-overlooked subject, the programme itself is a little threadbare.
Dube has himself suffered from depression, and after writing about his experiences in a blog, people started getting in touch with him. He found that for many black people, a number of issues combine to make it especially difficult for them not only to get help, but to admit they’re suffering in the first place.
In the space of half an hour, Dube speaks to people who have suffered a variety of mental illness, including Simone, whose African parents know nothing of her struggles with anxiety, and Ashley, who was diagnosed with psychosis and talks about the hallucinations he would have while in the grips of it.
Kemeta, meanwhile, found her mental health deteriorating after the birth of her son, though when she confided with her GP, she soon found herself held down by five policemen before being sectioned. A medical expert later explains that when black people go for help they’re “generally seen as more dangerous”, and so are more likely to get a severe diagnosis.
This speaks of structural racism at play, but Dube feels people are too likely to blame everything on race and should instead examine their own behaviour. He looks at issues of generational differences and black people being unable to talk to their family about their mental health, and also at the role religion can play.
Even while experts are telling him that black communities live in rundown areas, generation after generation, which affects their mental health, Dube continues to body-swerve discussion of racism. While admiring the courage of the people who speak so openly and candidly about their own experiences, the documentary fails to put that in a wider context, and it’s weaker for it.
Tales from the Serengeti
Ralph Kidson was working a variety of terrible jobs when Wildseed Productions found one of his self-published comic books and got in touch. Tales of the Serengeti forms part of the fruits of their collaboration, and it’s terrific. In Part 1, Bob the warthog goes for a walk and finds a donut, cunningly placed there by American tourists who are ‘hunting’ wild animals. Things are looking pretty bleak for Bob, until some of his fellow Serengeti-dwellers unwittingly get involved. Be warned – the four-minute cartoon is foul of language and fairly blood-soaked, but it’s also beautifully scripted, voiced and animated, and filled with a cast of characters – from monkeys to tigers to alligators – who are both memorable and effortlessly entertaining.
Once upon a tweet…
Have you ever wondered about the people behind the tweets? This terrific little strand of two-minute films tells some of their stories, and in doing so gives us a look at the concerns of young people in modern Britain.
Afghan refugee Gulwali talks about the traumatic voyage (“a journey of fear, a journey of death”) from his homeland to the UK. Passing through 12 countries and being imprisoned in many, then boarding a boat to Greece, he finally made it to Britain in the back of a refrigerator lorry. Now at Manchester University, in his final year of a politics degree, the tweet which inspired this film – “after hardship ease comes keep going don’t give up” – becomes a powerful message of hope and survival against all odds.
Previous shorts have featured Capres Willow, who, after seeing yet another video of a black man being shot by white police, tweeted “in shock for a split second but then I remember nothing in this world shocks me any more”. She explains that it was the impetus which inspired her to organise a UK #blacklivesmatter march. Leo tweeted “If you don’t believe your man is where he says he is then you’re insecure but if your man isn’t where he says he is then you deserve better” – which serves as the springboard to tell of the time he was caught cheating, a video of his ‘walk of shame’ put up on the internet for public consumption. Oloni, meanwhile, invited women to talk anonymously about their sexual experiences with the tweet “Ladies shall we have some fun tonight? I want to know your hoe stories. Ladies only”, inspiring hundreds of frank tales. Lucy’s tweet #blindgirlproblems “blind girl does her own makeup” went viral on buzzfeed, as she highlights one of the problems of sight loss which many don’t consider.
Each of these tiny fragments are fascinating snapshots into the lives of not only individuals but also whole communities who are not generally represented in mainstream media.
Available on BBC Three’s YouTube channel – watch them all in our playlist above.
Josh Season 2
BBC Three’s flatmate sitcom starring Josh Widdecombe and directed by David Schneider returns for a second series after some lukewarm reviews for the first. Josh is still sharing a flat with Kate (Beattie Edmondson) and Owen (Elis James), and Jack Dee’s landlord Geoff remains a constant presence in their lives.
Tamzin Outhwaite guest stars in the opening episode as the innuendo-loving, sex-mad cougar Valerie, whom Josh has been set up with after being dumped by his girlfriend. Meanwhile, Kate tries to cheer Geoff up after accidentally sending him an insulting email about energy-saving light bulbs by taking him to the cinema and feeding him wasabi peas. Misunderstandings ensue.
This programme is never going to set the world on fire. Its ground is so well-trodden that that the only surprise is that sitcoms like this are still being made. Upon the evidence of Episode 1, it seems unlikely that Season 2 of Josh will change the mind of the many critics of the first.
BBC Three Comedy Feeds
For our full reviews of each of BBC Three’s six new comedy pilots, click here.
Smack in Suburbia: America’s Heroin crisis
India Rakusen rushes to the scene of an accidental overdose in the opening of this half-hour documentary, joining police as they photograph the body of a young man who has passed away minutes before. As he sits lifeless on the sofa with a blanket over his knees, his phone buzzes beside him. Later, she watches from the backseat of a car, as a young man, Mason, shoots up “one last hit”, while being driven to rehab by his mother.
In the USA, one person dies from a heroin overdose every 50 minutes, and that’s not restricted to deprived urban areas. Rakusen is in Ohio, meeting the young heroin addicts of the affluent suburb of Avon Lake, to demonstrate that this problem affects rich and poor equally. The beautiful and placid surroundings, where big houses back onto Lake Eerie, hide an epidemic that is growing rapidly – by July of this year, 65 people had already died as a result of overdose, equalling the total number of deaths in 2015.
Like many others, Mason started taking opiates in the form of painkillers after a sports injury, and the overprescription of Oxycontin is here cited as the main factor in introducing a new generation to opiates. Doctors tell Rakusen stories about the injuries addicts purposefully inflict on themselves – one man drove a nail through his hand – in order to access the meds.
Teenagers are particularly at risk, and drug dogs are regularly taken round the Avon Lake’s high school in order to sniff out drugs hidden in lockers. Blake, a former student, tells how he first took Oxy in the high school’s library, and how students would regularly suck on innocent-seeming morphine lollipop in class.
Rakusen leaves no stone unturned in this examination of a newly addicted generation.
Drugs Map of Britain: Dying for weed
In the fourth and final episode of BBC Three’s series, Poppy Begum meets the people who use cannabis in various forms to alleviate health problems. While the UK government maintains that it has no therapeutic value, many disagree, taking the law into their own hands by ordering in from the Internet to combat their illnesses.
Andy was in two motorcycle accidents 17 years ago and suffers chronic pain, epilepsy and osteoporosis as a result. Phil has brain cancer. Both take cannabinoids, either in oil or solid form, for pain relief and in the belief that it actively helps reduce tumours. Jeff, meanwhile, supplies people like them and campaigns to get medicinal marijuana legalised in the UK, as it is in 25 states in America.
Since Andy started using, he has been able to cease eight prescribed medications, including fentanyl patches – the hardcore opiate that killed Prince – and finds himself more able to communicate and bond with his son. Meanwhile, Phil goes for a long-awaited scan on his tumour and is given the all-clear.
The illegality of the drug, though, means that desperate people who have heard anecdotal evidence that it can reduce tumours buy untested, unregulated oils, which can have negative effects. Unreputable online dealers are able to get away with scamming desperate people. Begum listens while Jeff has a conversation with a woman terrified she has made her father’s cancer worse and it’s heartbreaking. Later, she interviews a hospital consultant who has run trials in cannabis treatment for MS and pain relief, who tells her there’s a huge amount of evidence that it does work, and calls for more research to be done.
It is the human insights into the effect of drug laws that makes this documentary affecting, but there’s also a contained anger about it. Begum’s interviewees are people going through terrible times, yet whose lives are made more difficult by draconian laws and an uncaring bureaucracy. This is another thoughtful addition to BBC Three’s ongoing drugs conversation.
Available on BBC Three’s YouTube channel.
Locked in My Body
This hard-going but ultimately life-affirming 15-minute documentary focuses on Terry Newbury, a physically fit 31-year-old communications engineer from South Wales, who, shortly after suffering from a cough, was struck down with Guillain Barre syndrome. As his immune system attacked his nervous system, he became ‘locked in’ his own body, unable to breathe for himself, use his limbs or his facial muscles. Though the mind is completely healthy – able to hear, smell, and when his eyes are opened for him, see – Terry is unable to move or, crucially, communicate. (Permission to make this documentary was granted by him, after he was asked a direct question and was able to move his eye from left to right to indicate an affirmative.)
The documentary maker Luke Pavey is by Terry’s side for much of his ordeal, and he uses impressionistic images used to try to describe his world, cutting from Terry’s face as a doctor physically opens one of his eyes, to slow-mo, blurred images to a soundtrack of machines beeping and a cacophony of voices.
A doctor explains that the trauma of being unable to express yourself can cause long-term psychological damage, and it’s not difficult to understand why. Regaining the ability to communicate is vital and as soon as they can, a nurse goes through the alphabet so Terry can spell things out by nodding when she gets to the right letter. Later, a computer is brought in which allows Terry to communicate using eye tracking technology. As soon as this happens, Terry’s voice and his personality instantly reappear, his cheekiness and sarcasm received with relief by his worried mother.
One of the first things Terry says via the computer is “I just want to be me again”, and his powerlessness is devastating. As he gets better, Terry vows never to take the ability to walk and talk for granted again, and reveals that it was the small things, like the little notes his niece would leave him and which were stuck on the wall next to his bed, that helped get him through. Visions of his late father urging him to keep going kept his will alive. This is an extremely moving documentary about what it means to be human.
For the past few weeks, BBC Three has been screening comedy shorts under the banner of Top Tens. Canadian comedian Mae Martin lists the top 10 things she finds attractive about a person, regardless of their gender, though one has the suspicion, which she herself fans the flames of, that she may just be talking about one person after all – an athletic and long-limbed blonde called Katie Anderson who she met at an impressionable age and whom she seems never to have gotten over the sight of driving a speedboat.
Nish Kumar, meanwhile, describes his top 10 weird conspiracy theories, including the one where the dinosaurs built the pyramids, the one where Hilter lives on the moon (“That’s right, we’re talking space Nazis”), and the one where the Earth is hollow, “like a kinder surprise without the surprise”.
Comedy duo the Lazy Susans, meanwhile, here performing as Paul and Ella (Paella for short), give us tips on improvising your make up, which include the liberal use of Tipp-Ex, bin juice and a stapler. (Do not try this at home, kids).
There are too many others to mention, each one slightly more surreal than the last. These are fun, entertaining skits which rely on the charisma of the presenters, but are also a wry take on the often nonsensical top ten obsession.
Making a Slave : Trapped
It’s estimated that there are almost 46 million slaves in the world today, of which 13,000 live in the UK, although experts believe the true number is far greater. It’s a staggering figure, and this half hour documentary, cut into three ten minute chunks, seeks to get behind the numbers to look at what the means for the individuals concerned.
The programme has the hallmarks of something weirdly exploitative – the concept is that four volunteers experience what it is to live like a slave for a day. But as it’s cut with first-hand testimony from a Polish man who was tricked into coming to the UK with the promise of a better life, and with experts who further inform us of the reality of what it is to be controlled by organised gangs, it becomes something both informative and genuinely distressing.
The volunteers are sent out to strawberry fields for a day’s backbreaking work, then come ’home’ only to be screamed at, given some cold sausage meat, and sent out again to work until all hours scrubbing a restaurant kitchen. In reality, we are told, they would be subject to beatings and serious sexual assaults. Both the volunteers and the viewer get an idea of the never-ending misery, the feelings of helplessness, the crushed spirits and the long-lasting scars which are left on the people who must endure day after day of such brutality.
Unsolved: The Boy Who Disappeared
On November the 2nd, 1996, 16-year-old Damien Nettles vanished after a night out on the Isle of Wight, leaving behind friends and family searching for answers and a community awash with rumours. No body has ever been found, and no one has been charged with his murder. In this series of eight 15-minute short films, with accompanying material, we follow journalists Bronagh Munro and Alys Harte, as they rent an out-of-season holiday let by the sea and spend three months investigating the case. Their search takes them to the heart of the island’s drugs underworld, and the pair track down police informants, ex-cops, heroin addicts, as well as the last people to see Damien before he disappeared, to get to the bottom of the mystery.
Billed as BBC Three’s take on Serial, or Making a Murderer, this is ultimately rather disappointing. There is the sense that the journalists haven’t uncovered anything new, and are just retelling the story. In an early episode, a “lead” takes them a wooded area where it is claimed that Damien’s body might be buried; towards the end of the series, we find out that Damien’s family and friends were aware of this, and have been digging there for the past five years. Similarly, when they introduce a new suspect late on, it’s hard not to feel manipulated. The journalists complain about others withholding evidence, yet it seems that they themselves are guilty of the same thing, keeping back vital details from the viewer until it suits them.
While it is genuinely moving to hear Damien’s mother and brother talk about the effect the disappearance has had in their lives, the anger and the loss that they cannot escape, overall this seems like a pointless and rather contrived exercise.
Introducing – Taking the Humza
YouTube star Humza Arshad, best known for his Diary of a Badman web show, now takes to BBC Three with this new series of comedy shorts. Having being involved in activism, touring schools to give talks on anti-extremism, assimilation and discrimination, here, he examines similar themes for laughs.
Introducing the show straight to camera, with his crew in the background, Arshad takes jabs at the media for their lack of diversity, before cutting to a spoof show, Pak Nation. Here, he plays a “gentleman documentarian”, who is welcoming Bilal, recently arrived to the country, to Croydon, and asking “Why do we find it so hard to fit in?”
Bilal is introduced to market stall holders and shopkeepers, given a demonstration on how to make traditional British food (deep fat frying is involved) and asks a butcher awkward questions about the rumours he’s heard involving David Cameron’s love of pork. He is last seeing fleeing for his life after mistaking a pigeon for a drone.
Inventive, hilarious, near-necessary viewing.
Sex, Drugs & Murder: Life in the Red Light Zone
This rather luridly titled 15-minute documentary goes to the Holbeck area of Leeds, where, in October 2014, a pioneering pilot scheme was set up, allowing sex workers to work in a managed red light zone. Up to 30 women work the streets between 7pm and 7am, completely decriminalised, but it has proved controversial from the outset. Here, the documentary makers speak to the women who work there, and residents and businesses based in the area, to find out what impact it’s had on their lives.
While some people object to it – one salon owner complains of the hit her business has taken, though remarks that the streets are cleaner since it started, as needles and condoms are removed more frequently – others see it as something of a necessary evil.
Hannah Lewis, a youth worker who lives in Holbeck, feels it’s better to work with the sex workers rather than against them.
But the bulk of this documentary focuses on what it means to be working the streets, interviewing some of the women who work there, who describe their lives with gritty forthrightness. These woman are all too aware of the dangers which face them every time they gets into someone’s car. Sammy Jo, one of the women interviewed, was out on the streets with fellow sex worker Daria Pionko the night Pionko was beaten to death in 2015, her murder used by people who are against complete decriminalisation as ‘proof’ that it doesn’t keep women safe. Yet the documentary also points out that the police and council say that sex workers are now three times more likely to report violent incidents.
Police have been reviewing the red light zone since Daria’s murder, and this documentary doesn’t come down on either side. Instead, it puts human faces on the story of a contentious scheme, allowing those directly affected to speak for themselves.
The Insider: Reggie Yates in a Texan Jail
This one-hour documentary (the start of a new seres) is billed as Reggie Yates spending one week in Bear Country jail in Texas, although by our count, it’s five days rather than seven. And not even a full five days. Clearly, Reggie is defining ‘week’ by his own working week, a Monday to Friday stint, which seems a bit of a swizz.
It nevertheless all comes as a bit of a shock to the system for him. Locked away for 12 hours of every 24, with no windows or natural sunlight, he is woken at 2am for an inedible breakfast, his toothbrush is more like a toothpick and he is too scared to shower.
He does get stuck in, though. On day three, he volunteers to accompany the inmates who are on clean-up duty in the psychiatric wing, and finds himself cleaning up after a dirty protest. (For the more innocent readers, a dirty protest involves prisoners smearing the walls of their cell with their own excrement.) He then goes and advises Alex, a nice, sensitive, baby-faced young man, newly incarcerated and increasingly depressed, that he may want to volunteer to do likewise. Alex seems unconvinced.
In among all this, Reggie raises some serious points about the prison system being used as a holding facility for the mentally ill. One sheriff tells him about a prisoner who dug out his eye, another who pulled his testicles off. He witnesses rooms full of prisoners on suicide watch, dressed in smocks for their own wellbeing and confined for 23 hours a day, receiving the bare minimum in the way of psychiatric care. Alex goes to see a prison psychologist and, unable to stop crying, is told to “man up”.
Reggie, after his five day imprisonment, is able to put his civilian clothes back on and step out into the sunlight, but for most of the people he meets, he is witnessing a never-ending cycle of incarceration and short-lived liberation, as the root causes of the problems are never addressed and the only thing that grows is resentment.
Life and Death Row : Forgiveness
BBC3’s Life and Death Row strand delivers yet another heartbreaking dispatch. This half-hour documentary features TT Trottie, whose father killed his mother and her brother in cold blood 21 years ago, when TT was only 18 months old, and he must now witness the execution of his last remaining parent.
In 1993, after a campaign of domestic violence against her, Willie Tyrone Trottie burst into the house where TT’s mother was staying with her family. After shooting her in her bedroom, he killed her brother Titus in point blank range in his head, execution style, as Titus lay injured on the floor. Willie Tyrone then checked himself into hospital, where he was apprehended and jailed for his crimes.
Willie tells a different story, a garbled one where he shot either in self defence or heat of the moment, a crime of passion – unable, even in his last days, to take responsibility for the cold-blooded killings of defenceless people. It’s a story he’s been telling his son for years, and which has been a sticking point in TT’s relationship with his mother’s side of the family, who find it difficult to be supportive to him, because of his closeness to his father.
This is an restrained, seemingly simple documentary that asks big questions and lets the people involved speak their story for themselves, and is all the more moving and humane for it. TT is a gentle and wholly likeable young man. Watching him, as he is accompanied by his loving and supportive wife to see his father die, is deeply affecting.
Kayode Ewumi’s comedy creation RS, (short for Roll Safe; real name Reece), first came to the attention of the internet in the latter part of 2015. The short vines Ewumi created with his longtime friend and collaborator, Tyrell Williams, were pretty much an instant hit as ‘triple threat’ RS, with his trademark lisp, his black leather jacket worn over a bare chest, and his large gold medallion in the shape of Africa hanging from his neck, is followed around mockumentary style, going about his business in the ‘hood’.
Fans of the character include Skepta and Stormzy, who bigged up RS’s Fire in the Booth video, filmed with Charlie Sloth on Radio 1 Extra, which now has almost 6 million views. So it’s safe to say many were left bereft after the comedy duo decided to take a ‘hiatus’ after releasing only three YouTube episodes.
It is therefore something of a cause for celebration that BBC3 are now screening six original short films catching up with RS, in the form of #hooddocumentary. In the first, Happy Belated, RS has a date with his friend Rachel, while in the second, Family Business, his family get together to celebrate his aunt Deb’s promotion.
These are shorter episodes than the YouTube ones, with less in the way of social commentary, focussing instead on a character who is, like all great comedy creations, instantly recognisable and completely delusional. It’s something of a calling card for Ewumi and Williams, and on this evidence, we’ll be seeing a lot more of them in the future. Take it from RS: “Thoon, I’m going to have an empire like Thteve Jobth.”
Available on BBC Three’s YouTube channel.
I Carried Out My Own Abortion
With research suggesting that between 100 and 200 thousand women in Texas have carried out their own abortions since the 2013 House Bill 2 was passed, this short documentary sees India Rakusen follow 23-year-old Eliza, as she retraces her steps in a journey that took her from El Paso to Mexico to purchase a pill to induce her miscarriage.
Eliza was fortunate in that there were no lasting physical after-effects, but, without any medical attention, the risks women take to terminate unwanted pregnancies are huge. One doctor, interviewed anonymously and voiced by an actor because she fears repercussions, tells of the frustration she feels after having to perform a life-saving hysterectomy on a young woman whose uterus was ruptured after the abortion pill induced heavy bleeding.
An anti-abortion protester is also interviewed, and, though she adds little to the discussion, it provides a backdrop to the regressive attitudes the clinics face in this part of the world. This is a place where a pharmacy can override a doctors prescription and refuse to fill it if it goes against their beliefs, a place where many people fallaciously believe that abortion is illegal.
The impact of House Bill 2 saw the closure of almost half the abortion clinics in the state shutting down because they couldn’t afford to update their facilities to meet the conditions set out, and clinic workers voice their concern is that if the HB2 is upheld all the clinics will close. With the Supreme Court currently in session, deciding on whether to scrap it, this is a timely documentary, putting a human face on what can be an emotive subject.
Available on BBC Three’s YouTube channel.
Drugs Map of Britain: Scotland? Valium Crisis
The third instalment of BBC Three’s Drugs Map of Britain takes us to Scotland, where Valium, in the form of diazepam and other such tranquillisers, are involved in 76 per cent of drug-related deaths, compared to just 11 per cent in England and Wales. Filmmaker Josh Haddow speaks to users, doctors, drug workers and those who have lost loved ones in an effort to understand the popularity of the opiates, and to highlight the effect of a life lived on them.
One reason posited for their prevalence is their relative cheapness. Costing as little as 50p per pill, their effect lasts longer than the high you get with the more well-known drugs – although, as one’s body builds up a tolerance to them, the user must take more and more to achieve the high they’re looking for.
Levi, a Newcastle native who moved to Dundee, says the first thing he was asked when he got off the bus was “Do you want any Valium?” – given that he was first introduced to them in his own home by his mother as a young boy, the answer was, presumably, yes. Widely prescribed in the 1960s for anxiety and depression, “mother’s little helpers”, he says, became “Levi’s little helpers”, and the addiction was passed down from generation to generation.
Much of the documentary follows Levi as he cracks open the Kinder egg he keeps his little blue pills in and takes them until he is a gibbering mess, nodding off in the middle of sentences as Barrow tries to interview him. When mixed with other drugs, including alcohol and methadone, the pills can become lethal; Levi takes them in combination with legal highs. Barrow becomes increasingly worried about his wellbeing.
Levi says he wants to live a long life. He is a Christian who keeps a Bible and some Rosary beads in his flat, and speaks of the drugs as a woman – “she can be the god and she can be the devil”, he tells Barrow, over a fry up, the day after taking 100 of the pills.
This is an unflinching look at the effects of not only drugs, but deprivation and poverty, in an area where young men see very little hope for their future.
Comedian James Acaster, laid back to the point of comatose, hosts this show, in which he invites musicians into a bleached-out warehouse to sit atop a beanbag, eat pretzels, and play songs at random from their song list. The result is a lot of quite dodgy music and some fairly uninteresting anecdotes about what the songs ‘mean’ to them.
So far, Acaster’s been joined by Big Narstie (who waxed lyrical about Coldplay), the Mystery Jets (a long story about being in a school musical featuring the music of the Backstreet Boys ensued), Izzy Bizu (who had the coolest song choices yet), and Tom Parker from the Wanted, amongst others. This week, Shura shares her love of Celine Dion (I kid you not) while Acaster plays slow motion hopscotch (again, no word of a lie).
The strange cutaways as the music plays, to performers dressed in black polo necks, miming whatever is being talked about, like Costcutter Marcel Marceaus, adds to the general feel of barrels being scraped. On the bright side, the programmes are under 10 minutes long. But still.
Available on BBC Three’s YouTube channel.
United States of Hate: Muslims Under Attack
Award-winning director and producer Steph Atkinson brings us this one-off documentary, which investigates the terrifying scale of the rise of anti-Muslim sentiment in the US. Fuelled daily by the ever-more dangerous rhetoric coming from politicians – not least Donald Trump himself – homegrown vigilante groups are becoming increasingly popular and extreme, trading on fear and spreading discord amongst communities.
Atkinson concentrates on two groups – Bomb Islam, based in Phoenix, Arizona, and the Bureau of American Islam Relations (BAIR), which operates from Irving, Texas. Bomb Islam believe (with very little evidence to back it up) that they have identified an ISIS camp on US soil, and begin training for some imagined future battle, decked out in full camouflage and firing RPGs and AKs. BAIR, meanwhile, are filmed standing outside a mosque that shelters new Syrian refugees, armed to the teeth, harassing Muslim passersby. While one would hope that these were just an extreme and peripheral viewpoint, as car horns peep their support, it becomes depressingly clear that they have support.
Towards the end of the film, a member of BAIR is introduced to some Syrian refugees, which allows him to briefly see the human side of those he demonises, and it is explained to him that Muslims are ISIS’s biggest victims. Yet, not long after, news of the Brussels attack filters through, and the never-ending cycle of violence and retribution seems unbreakable.
Imam Omar Sulieman, who is interviewed, calls the rise of such groups the “end result of the systematic dehumanisation of 1.8 billion people”, and points out that they are causing the very hate and disharmony they accuse Muslims of spreading, playing directly into ISIS’s hands. This documentary is a thought-provoking but horribly bleak look at the world we have created for ourselves.
Don’t Section Me
This 12-minute documentary, filmed over the course of a week, is a snapshot into the work of a mental health team as they work out of Birmingham’s Oleaster hospital. It covers each part of the process, from the street triage team, who are the first point of contact, as they are called out to assist and assess vulnerable people, to the psychiatrists, who must make the decision on whether or not they should be sectioned.
The focus is on two callouts from concerned members of the public reporting on suicidal behaviour – one man is preparing a noose for himself in a public park, while a female tries to throw herself off a motorway bridge. The film offers a brief glimpse into the work done by the mental health professionals, and into the world of people with mental health disorders.
Eating with my Ex
This new series, comprising of 10-minute programmes, could be seen as a kind of inverted First Dates – instead of meeting for the first time, the couples here are meeting for the last time, in order to examine their relationship and the ways in which it went wrong.
The first features Taylor Rae, a 22-year-old pageant director and 24-year-old singer Adam, who haven’t seen each other in four years, since splitting up, after a five-month relationship. After meeting on a pub crawl in Benidorm, and spending what must have been a fairly spectacular night together, Adam booked a one-way ticket to Taylor Rae’s native Northern Ireland and moved in with her before the two had even been on a date. It comes as no surprise that the relationship ended after squabbles about whether to paint their living room red or pink, and other such trifles.
While most of us have to reconcile ourselves to the fact that we’ll bump into our exes and their glamorous new partners unexpectedly, while wearing our trackie bottoms and rummaging around Asda’s whoopsies section, Taylor Rae takes the opportunity afforded here to get herself glammed up to the nines, pouring herself into a figure hugging dress, and the couple flirt their way through the meal, answering the questions that never got answered in the heat of the break-up, and coming to some sort of peace with what was, after all, their shared first love, and all that entailed. This ends up being a rather sweet and nostalgic experience, as they chat about what they wanted back then and their expectations of a relationship now, putting to bed any questions or doubts they had about whether splitting up was for the best. Older, wiser, with a more mature outlook, they are able to look back on things objectively and with clarity on their first love, not in the heat of anger or lust. As Rachel from Friends would say: “And that, my friend, is what they call closure.”
Available on BBC Three’s YouTube channel.
Rest in Pixels: Life after Digital Death
If this interesting documentary is anything to go by, Charlie Brooker may be some kind of seer. After his Black Mirror episode featuring a fictional Prime Minister getting intimate with a pig turned out to be possibly closer to reality than most of us could have wished for, another episode from the series, Be Right Back – in which a woman grieving for her boyfriend seeks out a company that promises to bring him back to some form of life, via his social networking history – appears to be less science fiction than it is science fact.
Rest in Pixels: Life after Digital Death takes a look at the ways advances in technology make a digital afterlife possible. With over 30 million Facebook accounts currently taken by people who have since passed away, and the claim that by 2020 there could be more dead people on Zuckerberg’s site than there are living ones, there are a mass of inheritances that no one seems to know quite what to do with. These ‘dead’ accounts can be of some comfort to the bereaved, leaving as they do a reminder of those who have departed, with videos, updates, photos and blogs as keepsakes and mementoes for loved ones to remember them by.
Yet tech companies are getting ever more creative, and have identified a gap in the market for people who want to keep their dearly departed alive through technology. This programme interviews both the developers and the people who are directly affected.
Lucy Watts, a 22-year-old suffering from Ehlers-Danlos Syndrome, a rare condition which could prove fatal at any moment, chooses to blog about her experiences and control her online legacy herself. She looks into the various options available to her after her death: companies such as Dead Social, a not-for-profit organisation set up in the UK by James Norris, which offers recorded messages to go out on ‘dead’ social channels after their users pass away; Liveson, which reads your tweets and other digital footprints and continues to tweet in your name after your death (“When your heart stops beating, we keep tweeting”); Eterni Me, which offers the chance for people in the future to speak to your digital alter-ego and learn about your life, via digital storage; and the Terasum Movement, based in Vermont, in which people record their memories and experiences directly onto a website in the form of ‘mind files’, so that in the future, artificial intelligence can reanimate the essence of who you are, even transferring files to new form – a hologram, avatar or robot. This final company has thought of everything – they offer the option of sending your digital files into space, should some terrible disaster happen on Earth.
All this is the stuff of futuristic novels, but the documentary also delves into the motivations of the people behind such advances. It turns out that losing loved ones, especially gradually, through diseases such as Alzheimer’s, provides the very human impetus for investigating ways to keep people alive. The fear of death and loss hangs over this documentary like an dark cloud; the terrible reality of losing those closest to us and never being able to reach them again, and how we cope with saying our final goodbyes.
Life and Death Row: Love Triangle
One of the biggest events since BBC Three’s online launch is Love Triangle, which tells the story of the murder of a young mother, Heather Strong, in Marion County, Florida, in 2009. It’s the newest addition to the channel’s Life and Death Row series, yet unlike the previous documentaries, which were screened in a more traditional manner, Love Triangle is an interactive experience, which allows the viewer to investigate the evidence that led to the murder convictions of Emilia Carr and Josh Fulgham.
Perhaps seeking to capitalise on the popularity of the Serial podcasts and the 10-part Making a Murderer documentary, Love Triangle has been broken up into eight ten minute segments, which were posted online – one in the morning and one in the afternoon – over the course of four days. The main segments are accompanied by a wealth of other information, including video clips of defence lawyers and public attorneys, the police who investigated the case, interviews with the family of the victim and the perpetrators, recorded phone conversations made from prison and, towards the end, a confession that was recorded secretly and helped convict one suspect, finally allowing total clarity on the events of the night of the murder.
The focus of the series is firmly on the guilt or innocence of Emilia Carr, who presents herself to the filmmakers as someone who has been manipulated by both the justice system and her co-accused. The police, meanwhile, talk of her as a “sociopath” and claim it is she who is the master manipulator. We are introduced to her in her orange prison jumpsuit, as she tells us of her friendship with Heather, how they bonded over being young mothers and their domestic situations. She describes, too, the cycle of violence Heather suffered at the hands of her husband, and how she tried to get away from him, although kept coming back, in part due to her lack of financial options because of her lack of education. In time, however, we understand that Emilia herself had an on/off relationship with Josh, and that her relationship with Heather was rather more complicated than she originally presents it.
Emilia, protesting her innocence, tells us she didn’t have a lawyer, because she says she didn’t do anything wrong so didn’t think she’d need one. She describes police tactics as though they are a type of torture – they took her in for questioning repeatedly, kept her for hours on end, would let her go home, then turn up again at her door 45 minutes later to take her back to the station. Emilia was eight months pregnant at the time, with three other young children at home, and was terrified of losing them.
So far, so sympathetic. Fans of recent true life crime documentaries are well versed in police corruption and miscarriages of justice, in innocent people being dragged into investigations and, due to their lack of nous and money, finding themselves incarcerated for a crime on shaky evidence. Here, the opposite trick is pulled. Emilia, though she stares guilelessly down the filmmaker’s camera while tearfully expressing surprise, is seen being interviewed by the detectives and changing her story time and time again, with the investigators becoming more and more convinced that she knows more than she’s letting on. Over the course of the four days, we, like the detectives, learn more about Emilia and the effect is chilling.
The investigation unfolds on the site as though we are armchair detectives looking at our very own noticeboard, adding more evidence as the days go by. The result embraces the innovation made possible by BBC Three’s move online, creating suspense from daily cliffhangers and inviting us to pore over the evidence to discover for themselves the truth behind Heather Strong’s tragic and pointless death.
Hack Me! The Girl with Magnetic fingers
This four-minute film tells the intriguing story of Lepht, a transhumanist “biohacker”, who experiments with her own body to improve the quality of life throughtechnology. Transhumanism is an intellectual movement that believes we should be developing and improving our bodies to make them more compatible with the modern world. What this means, in layman’s terms, is activists inserting things like microchips under their skin in order to circumvent the use of exterior machinery. Since 2007, Lepht has performed over 50 procedures on herself, including embedding magnets into her fingertips to “add an extra sense”.
We follow her as she upgrades the chip in her hand to make it synchronise with contactless payment machines, so she only has to wave her hand about for her bank account to be debited. Lepht says she chooses to “go through pain to get knowledge”, and collects data from her trials along the way. By experimenting on her own body, she bypasses research labs and corporate backing to collate data people can use in the future. This is an interesting, bite-sized look at a subject which will be new to many.
Available on BBC Three’s YouTube channel.
Drugs Map of Britain – Wolverhampton: Getting off Mamba
The half-hour documentary won’t do much for Wolverhampton’s tourist board, dealing as it does with the people who live there day-to-day, without money, a home, or much in the way of hope for a better future. The film follows Liam, a 27-year-old homeless man who uses Mamba, a terrifyingly addictive and damaging legal high, which is easily available on the high streets of the city. According to both users and addiction specialists, Mamba is more dangerous than class A drugs, due to the lack of any kind of standard – and each package can contain different combinations of chemicals, making it difficult to treat effectively. On the back of the packets, which can be purchased for £15 for two bags, is a stark warning: Not fit for human consumption.
Liam, who has been on the streets for 3 months, smokes it every day, all day, and is surrounded by a community of people who do the same thing. Liam, however, is the father of two children, and has the impetus to get off the drugs to try and make a better life for himself.
The programme follows Liam, as he meets friends in soup kitchens and derelict building sites littered with dirty needles, where they pitch their tents and huddle into dogs for warmth and comfort. He goes to SUIT, a local organisation which helps people affected by addiction, in an attempt to get clean, regain his mental health, and find some focus in his life.
This new series is like a cross between Watchdog and Candid Camera, and it makes for uncomfortable viewing. The first episode looks at letting agent John Sanderson, who is taking money from students in Lancaster for rent, but not passing it on to the landlords. A sting is organised, featuring 78-year-old Irena Mackow, who lets out her house through Sanderson, is owed thousands in unpaid rent, and has been chasing her money for months. She is sent to meet him with a hidden camera – he gets aggressive and dramatic, and the whole thing is worryingly tense. The crew from Rogue Traders set him up again, by pretending to be homeowners looking to lease their property, which leads to them chasing after him in the street, shouting “Where’s the money gone, John?” Quite what all this is meant to achieve is unclear. It turns out that Sanderson owes £2m to 87 different creditors. This is hands-over-your-eyes type viewing, and one can’t help but feel that sooner or later this gonzo-style confrontational TV is going to go terribly wrong.
Who Is the Slender man?
With a new HBO documentary about Slender Man premiering this month at SXSW, BBC Three takes the opportunity to fill us in on the internet urban legend. In 2014 in Waukesha, Wisconsin, two 12 year old schoolgirls stabbed their friend multiple times in bid to impress the fictional character. But where did this figure spring from, and why does he have such a hold on popular imagination? This film is sinister and creepy, and packs a lot of information into its three-minute running time.
Available on BBC Three’s YouTube channel.
Things I Can’t Unsee
This strand of short films looks at various aspects of modern urban life. While the first film focuses on inner city gang culture and knife violence, the second turns its attention on Bradford taxi drivers. Easy targets for crime, the drivers share their stories of the aggression they have to endure in their effort to make a living. At under four minutes long, the films are evocatively shot and scored, and offer illuminating snapshots into different life experiences.
Available on BBC Three’s YouTube channel.
The Couple Who Were Sentenced to Death
This six-minute short tells the remarkable story of two people, Peter Pringle and Sunny Jacobs, who were sentenced to death for separate crimes they didn’t commit in Ireland and the US respectively. After spending 32 years on death row between them, before being released on appeals, they met to talk about their shared experience. They fell in love, set up home together in Ireland and now campaign to stop the death penalty and run a charity for other victims of wrongful convictions. The film is yet another fascinating addition to BBC Three’s Life and Death Row strand.
Available on BBC Three’s YouTube channel.
Life and Death Row
This powerful, thorough documentary series, now in its second series, examines the effects of giving and receiving the death sentence. Each of the three one-hour programmes details a specific case – in the first, a man facing execution after running over a police officer refuses his right to appeal, preferring to die to spare his loved ones further heartache and to make amends to the family of his victim; in the second, a jury must make the decision of whether or not to sentence a double-murderer to death; while in the third, detectives and lawyers handle the case of two people on trial for the same crime. Each desperately sad case deals with young men whose terrible crimes have put their lives in the hands of others, and the toll it takes on their families and the families of their victims, on the juries, and on society at large.
The Man Who Witnessed 219 Executions
BBC Three’s coverage of the human implications of the death penalty, deal with so thoroughly in Life and Death Row, is expanded further in this 18-minute documentary featuring Larry Fitzgerald, who worked as spokesman for the Texas department of Criminal Justice for 10 years, during which time he witnessed every execution carried out in the state. He speaks matter-of-factly about the nights he wakes up, haunted by the people he saw die, the unique smell of death which permeated the death chamber, the clinical nature of the executions, the surprising speed of them. He talks, too, of individuals he got to know and befriend on death row, and his feelings of helplessness, as he watched men he felt could be rehabilitated die at the hands of the state.
Ben Hart talks some unsuspecting punters through some useful ‘life hacks’ – making a cracked egg whole and mending a broken phone – but all is not as it seems, as Hart is a magician and what he performs are optical illusions. As a showcase for his talent, this falls rather flat – only the dopiest would be duped into thinking the pranks were real, testing the viewer’s suspension of disbelief to an alarming extent. In a post-Dynamo landscape, the tricks themselves are rather unspectacular, especially for an increasingly sophisticated audience.
Available on BBC Three’s YouTube channel.
The World According to Maxim Bady
YouTube phenomenon Maxim Bady graduates to the BBC with his winning takes on some of the more bizarre and just plain dumb corners of the internet. In his most recent segment, he attempts, in his own idiosyncratic way, to defend the fact that the Earth is round. Bady is hugely appealing, his enthusiasm and good humour is infectious, and the format is fresh and original – definitely worth six minutes of your time.
Available on BBC Three’s YouTube channel.
For more on the UK’s only online TV channel, check out our BBC Three TV Guide – what’s new, what’s coming soon and what box sets are available.