This spring saw MUBI open up its digital archive for the first time with a new section called Library. The subscription streaming service has always placed an emphasis on curation and collection, bringing together a rolling carousel of films from the around the world available for 30 days at a time. Now, it’s letting subscribers revisit and discover films that have previously been hand-picked and left that carousel, with more than 400 archive titles available to subscribers as part of MUBI’s standard £9.99 monthly subscription.

The good news? You now have 400+ films to stream on-demand, creating a catalogue of arthouse and world cinema – new and old – that provides a striking counterpart to Netflix’s more conventional catalogue. The bad news? You have 400+ films all competing for your attention that can make for a rather daunting maze of bookcases.

As well as our weekly guides to what’s new and coming soon on MUBI UK, we’ll soon be rifling through to pick out weekly recommendations to help you find your way through. Until then, here are some starting points to begin your MUBI browsing:

Beanpole (2019)

1945, Leningrad. World War II has devastated the city, demolishing its buildings and leaving its citizens in tatters, physically and mentally. Two young women, Iya and Masha, search for meaning and hope in the struggle to rebuild their lives amongst the ruins. An entrancing immersion into post-war turmoil and a towering ode to female resilience.

Read our full review

Portrait of a Lady on Fire (2019)

In late 18th century France, painter Marianne is commissioned by a countess to paint the wedding portrait of her daughter Héloïse. While posing as her hired companion, Marianne is instructed to complete the portrait in secret. However, intimacy and attraction begin to blossom between both women. Céline Sciamma turns the male gaze over its head with this stunning tale of desire, romance and creative collaboration. Water Lilies, by Sciamma, is also available to stream, with Tomboy coming soon.

Read our full review

The Souvenir (2019)

Julie is a young film student struggling to find a firm direction in life when she meets Anthony. An intense romance blossoms between them, but as the relationship develops it becomes clear that Anthony is not being completely honest, and that this could have devastating consequences for them both. Joanna Hogg’s wonderful romance is as honest as it is heartbreaking, powered by Honor Swinton Byrne and Tom Burke. Read our full review

High Life (2018)

Monte and his baby daughter are the last survivors of a damned and dangerous mission to deep space. The crew—death-row inmates led by a doctor with sinister motives—has vanished. As the mystery of what happened onboard the ship is unraveled, father and daughter must rely on each other to survive. A bizarre, stunning sci-fi from Claire Denis starring Robert Pattinson and Juliette Binoche.

Bacurau (2020)

Bacurau, a settlement in rural Brazil, is shaken by its matriarch’s death. But something strange is happening, the water supply has been cut off, and the village has disappeared from satellite maps completely. Under threat from an unknown enemy, Bacurau braces itself for a brutal fight for survival. From Kleber Mendonça Filho (Aquarius) and Juliano Dornelles comes this unpredictable neo-Western that’s as political as it is pulp thriller. Read our full review

Under the Silver Lake (2019)

When aimless slacker Sam wakes up one morning to find his beautiful neighbour Sarah has vanished without a trace, he embarks on a quest across the city to find her. A delirious neo-noir mystery about the murkiest depths of scandal and conspiracy in the Hollywood Hills. From the dazzling imagination that brought you It Follows comes a feverish neo-noir starring Andrew Garfield. Read our full review

Suspiria (1977)

From the moment she arrives in Freiberg, Germany, to attend the prestigious Tans Academy, American ballet-dancer Suzy Bannion senses that something horribly evil lurks within the walls of the age-old institution. A candy-colored danse macabre from Italian terror maestro Dario Argento.

Ema (2019)

Ema is a magnetic and impulsive dancer in a reggaeton troupe. Her toxic marriage to choreographer Gastón is beyond repair, following a decision to give up on their adopted child Polo. She sets out on a mission to get him back, not caring who she’ll need to fight, seduce or destroy to make it happen. Pablo Larrain’s study of sex, power and family is electric, with two fiery turns from Mariana Di Girolamo and Gael García Bernal. Read our full review

Wadjda (2012)

Young Wadjda dreams of owning a green bicycle. But she’ll have to forget about racing a boy from the neighborhood: the law prohibits girls from riding bikes. After hearing about the prize money for a school contest in Koran recitation, Wadjda decides to earn the cash to fulfill her dream herself. Haifaa Al-Mansour became both the first woman director from Saudi Arabia, and the first filmmaker to shoot a film entirely there, with this inspiring tale of female dreams and ambition. Read our full review

Yves Saint Laurent: The Last Collections (2018)

As Yves Saint Laurent, one of the greatest Parisian haute couture designers, draws the sketches for his final collection, behind the scenes, Pierre Bergé manages a series of events to celebrate the fashion icon as a modern myth. This transfixing portrait of the iconic designer was banned for 20 years and is worth the wait. Read our full review

Hoop Dreams (1944)

Filmed over a five-year period, Hoop Dreams follows two inner-city boys as they navigate the complex, competitive world of scholastic athletics at a prestigious college, while also striving to overcome the intense pressures of family life and the realities of the Chicago streets. A seminal piece of documentary cinema.

Paterson (2016)

Paterson is a bus driver in the city of Paterson, New Jersey. Every day, Paterson adheres to a simple routine: he drives his bus, observing the city and overhearing fragments of conversation; he writes poetry; he walks his dog; he goes to the same bar to drink a beer; he goes home to his wife Laura. Jim Jarmusch finds poetry in the charm of the everyday. Read our full review

Felicite (2018)

Félicité, free and proud, is a singer in the evenings in a bar in Kinshasa. Her life changes when her 14-year-old son is the victim of a motorcycle accident. To save him, she begins a frantic race through the streets of an electric Kinshasa, a world of music and dreams. Read our full review

Junun (2015)

Paul Thomas Anderson joined Jonny Greenwood and Israeli musician, composer and poet Shye Ben Tzur on a trip to Rajasthan, where they were hosted by the Maharaja of Jodhpur. In the 15th-century Mehrangarh Fort, Greenwood and the musicians of the Rajasthan Express worked on Ben Tzur’s album. An intimate, eclectic, multi-cultural, multi-musical journey. Read our full review

Arabian Nights (2015)

In Portugal, over 600 shipyard workers are being laid off. An apiarist fights off an invasion of foreign bees. An African wizard creates an aerosol spray that cures impotence in world leaders and IMF financiers. A judge puts a cockerel on trial for crowing too early. Three volumes, three unidentified filmic objects of uncommon beauty, one vision of modern Portugal told with the inspiration of the timeless folk tales. All three parts are on MUBI UK. Read our interview with Miguel Gomes

Jiro Dreams of Sushi (2011)

An appetising documentary in every sense, Jiro Dreams of Sushi follows 85-year-old master sushi chef Jiro Ono, paying lushly photographed homage to the process of preparing the artisan sushi that earned Ono’s esteemed Sukiyabashi Jiro restaurant three Michelin stars. David Gelb’s modern foodie gem inspired Netflix’s Chef’s Table.

The Happiest Day in the Life of Olli Maki (2016)

Finland, 1962. Boxer Olli Mäki has a shot at the World Featherweight title. Immensely talented and equally modest, Olli’s small town life is transformed when he’s swept into national stardom and suddenly regarded as a symbol of his country. There’s only one problem: Olli has just fallen in love. A knock-out debut and the triumphant winner of Un Certain Regard at Cannes, this 60s-set drama from Juho Kuosmanen is a charming knock-out.

National Gallery (2014)

Frederick Wiseman’s three-hour visit to the National Gallery is a portrait of a hugely complex world painted as simply as possible. Completely absorbing.

Stories We Tell (2012)

In this inspired, genre-twisting documentary, Academy Award-nominated writer/director Sarah Polley discovers that the truth depends on who’s telling it. Polley is both filmmaker and detective as she investigates the secrets behind a family of storytellers.

The Kid with a Bike (2011)

11-year-old Cyril refuses to believe he has been rejected by his single father. Although he spends his days desperately searching for him, the patience and compassion of a stranger who agrees to care for him offers the boy a chance to move on. Two-time Palme d’Or winners Jean-Pierre and Luc Dardenne direct this bright, optimistic gem.

The Selfish Giant (2013)

Two thirteen year-old working-class friends in Bradford seek fortune by getting involved with a local scrap dealer and criminal. Clio Barnard’s moving slice of socio-realism is a tiny, towering triumph of British cinema.

Toni Erdmann (2016)

Prankster Winfried doesn’t see much of his estranged, high-powered consultant daughter Ines, who lives in Bucharest. One day, he decides to surprise her with a visit, but this brings tension as Ines is working on an important project. To enter her corporate life, Winfried creates a fictional alias. Maren Ade’s comedy about fatherhood is a groundbreaking, hilariously unpredictable tale of self-discovery.

Our Little Sister (2015)

Hirokazu Koreeda’s eye for human relationships has never been more tender than in this delicate study of parenthood, absence and inheritance. Read our full review

For Ellen (2012)

A quiet, moving film, For Ellen follows Joby’s (Paul Dano) attempt to connect with his daughter, Ellen (Shaylena Mandigo), before he loses her completely. So Yong Kim keeps things moving at a slow pace, giving her enough time to draw out a intensely delicate performance from Dano.

I Am Cuba (1964)

Originally commissioned as propaganda, I Am Cuba angered both its Soviet backers and its Cuban audience. All but forgotten until its rediscovery 30 years later, Mikhail Kalatozov’s film is now a fascinating chronicle of Cuba’s ascent from colonialist degradation and totalitarian rule of Batista’s regime to revolution.

The Myth of the American Sleepover (2010)

Amongst the mile roads, neighbourhood blocks, lakes and abandoned factories that make up metro Detroit, four youngsters search for love and adventure on the last night of summer. They cross paths as they rove the suburban wonderland chasing first kisses, elusive crushes, popularity and parties. Four years before It Follows, David Robert Mitchell broke into the American indie scene with this sweet yet unsentimental teen movie starring non-professional actors.

Clouds of Sils Maria (2014)

Kristen Stewart steals the show from Juliette Binoche in this well acted drama from director Olivier Assayas, which sees a veteran actress come face-to-face with an uncomfortable reflection of herself when she agrees to take part in a revival of the play that launched her career 20 years earlier.

La Dolce Vita (1960)

Alongside Fellini’s 100th birthday celebration, 2020 also marks the 60th anniversary of his immortal work of art. Including one of cinema’s most unforgettable scenes, this pinnacle of elegance and virtuosity changed the course of film history forever.