The best rom-com TV shows
Ivan Radford | On 25, May 2020
Sometimes, you want a little more commitment from your romantic comedy than just two hours in a couple’s company. Luckily, in our box set age, there are plenty of fish in the TV sea that are worth hooking up with. We cast out eye over the best rom-com TV shows available to stream:
A romantic comedy in which neither of the leads are likeable? That was the basis of Netflix’s Love, created by Judd Apatow, Lesley Arfin and Paul Rust. The result is a surprisingly different romantic comedy, one that wooes viewers with its unabashedly spiky humour and unflinching approach to its characters’ flaws – Mickey (Gillian Jacobs) is dealing with addiction, while Gus (Paul Rust) is a self-centred manchild. Season 2 saw some of the shine wear off, but Season 3 turns the show’s bulky, sluggish pacing into its strength, giving winning moments to best friend Bertie (the hysterical Claudio O’Doherty) and never losing sight of the central desire for two people to try and commit to each other.
How I Met Your Mother
Josh Radnor leads a wonderfully likeable cast in this smartly written comedy, which sees Ted tell his teen kids about his 30-something dating mishaps – all leading up to how he eventually met their mother. The witty structuring and balancing of perspectives make the journey of discovery a genuinely fun odyssey, while holding back the name of Ted’s wife until the very final episode means you stay engaged as well as entertained. And, underpinning it all, is a superbly realised group of friends, including Jason Segel and Alyson Hannigan as Marshall and Lily, Cobie SMudlers as Robin, and Neil Patrick Harris, the show’s MVP, as playboy Barney, who loves women almost as much as he loves suits.
“Finding love. It’s all disappointment and heartbreak and misery. Until it isn’t.” Initially aired on Channel 4, this very British take on the rom-com is an enjoyably dark affair, following a hapless 20-something Dylan (Johnny Flynn), who, after receiving a troubling diagnosis, resolves to contact everyone he’s ever slept with to tell them the news. Each episode focuses on Dylan reaching out to a different girl from his past, which gives him the opportunity to look back on his neurotic mess of a love life and figure out where it all went wrong. With Joshua McGuire as Dylan’s scene-stealing friend, Angus, the result is a winning piece of romantic comedy – not least because the show was originally called “Scrotal Recall”.
Him & Her
If you liked BBC comedy Mum, then you should hook up with Him & Her, the BBC Three sitcom that creator Stefan Golaszewski gave us earlier in his career – and which also deftly juggles sentiment with a spiky edge. Starring Russell Tovey and Sarah Solemani, the sitcom follows a couple in their flat and… that’s about it. They don’t do much each episode, but their chemistry is a hilarious, adorable joy – they’re one of the most natural screen partnerships in modern TV.
If you like your romance with a side order of music, this is the show for you. Co-created by and starring the absurdly talented Rachel Bloom, the show follows Rebecca Bunch, a lovesick lawyer who abandons a choice job at a legal firm and her life in New York in an attempt to find happiness in the unlikely locale of West Covina, California. It’s an unhealthy decision and the series grows darker and more complex as it continues to explore the label contained in its title in greater depth – while still tackling love and attraction in all its forms. Even its decision to recast Greg (part of a Season 1 love triangle) for his return in the final season fits in with the series’ smart portrayal of how people grow and change over time. Oh, and each episode is a mini-musical in its own right and contains at least one banger.
Less like a TV show and more like serial eavesdropping, Joe Swanberg’s wonderfully intimate anthology follows a string of Chicagoans stumbling through life and relationships. He makes the leap to TV with natural ease, finding the right balance between lengthy conversations and loose narrative structures, giving us amusing, awkward and raw stories that exploring everything from online dating and ageing to identity and rekindling a faded spark. And did we mention the cast? It includes everyone from Elizabeth Reaser, Orlando Bloom and Malin Akerman to Marc Maron, Gugu Mbatha-Raw and Jake Johnson.
Zooey Deschanel fans, this is the date you’ve been waiting for. She gets a deserved chance to shine in the lead role of this sitcom, which follow Jess who, after a bad break-up, moves into an apartment loft with three single men – the heartbroken, on-off love interest Nick (Jake Johnson), the would-be playboy Schmidt (Max Greenfield), and the eccentric and sensitive Winston (Lamorne Morris). They find Jess’ behaviour odd, but rally round to support her, resulting in a show that celebrates friendship above all, even as it navigates each character’s romantic escapades.
Merritt Wever and Domhnall Gleeson are hugely entertaining to watch in this wonderful comedy, which starts out with an electrifying train ride full of barely managed restraint and sizzling chemistry – and twists and turns into a thriller full of tension of a completely different kind. Riveting telly.
“Ok, enough’s enough. This isn’t La La Land. This is real life.” That’s Anne Hathaway in the best episode of Modern Love, Amazon’s new anthology series, which explores the ups and downs of love with a knowing sentimentality – and is at its best when avoiding the temptation of Hollywood sweetness. Based on a New York Times column, it’s created by the Once and Sing Star director John Carney, and his warm compilation of stories skews more saccharine than sad, but that’s sometimes just what you need. A stellar cast includes Catherine Keener, Tina Fey and John Slattery, while the writing team includes Sharon Horgan.
You’re the Worst
Nothing says “love is in the air” like a wedding – unless you’re Jimmy (Chris Geere), in which case you’re busy ruining your ex’s big day, or you’re Gretchen (Aya Cash), in which case you’re stealing a blender from the gift pile. Waterloo Road’s own Chris Geere is despicable as the self-centred, womanising Jimmy, who finds himself in bed with Aya Cash’s equally nasty piece of work. “I don’t even find you attractive,” she sighs, as they bonk, half-heartedly. But, of course, a genuine romance starts to blossom – one that, by all rights, we shouldn’t give two hoots about. But Cash and Geere make sure the giggles keep coming, spiting each other by tricking their potential partner into doing nice things, while simultaneously out-boasting each other about how cruel they’ve been to people. What makes it are their hidden smiles as they make each other laugh – and their wide-eyed surprise that someone else on this planet might be as horrible as they are.
Written by and starring Rob Delaney and Sharon Horgan, this remarkable series follows Rob and Sharon, an American guy and a British woman, who get together after she falls pregnant during a brief fling while he was in the UK on business. Since then, it’s been up and down for the couple, often at the same time – a balance maintained by the show’s juggling of sweet sincerity with scathing, foul-mouthed dialogue.
Gavin and Stacey
Created and written by Ruth Jones and James Corden, this beloved BBC Three sitcom follows Gavin (Mathew Horne), an ordinary boy from Essex in England, and Stacey (Joanna Page), an ordinary girl from Barry in Wales. After speaking on the phone to each other every day at work, they finally met, fell in love and ultimately got married. The series went onto explore the simple love story of these two young people from different parts of the UK, and the impact their relationship had on their friends and family – and that focus on their people around them proves the show’s strength, with an immediately convincing ensemble cast that includes a hilarious Ruth Jones and a winning Rob Brydon.
4 Weddings and a Funeral
Richard Curtis’ 4 Weddings and a Funeral is one of the definitive rom-coms from the genre’s 1990s heyday, but looking back at it now, it’s hard not to consider it dated. This unexpected US update addresses that issue and then some, introducing us to a wonderfully diverse ensemble of characters who weather a tumultuous year of romance and heartbreak, all kicked off by a London wedding – and including, inevitably, a funeral. John Reynolds is, in some ways, the lead character as Duffy, a Latin teacher who is in love with Maya (Nathalie Emmanuel), a speechwriter from the US who moves to London, but the focus widens to include Rebecca Rittenhouse as a well-off interior designer, Ainsley, the ex of Kash (Nikesh Patel), an unhappy investment banker who is being pushed into arranged dates by his parents. Guz Khan as Kash’s friend steals the whole show, and while much of it comes across like a glossy magazine detailing the lives of London’s wealthy, the mix of self-aware parody and unthinkingly cheesy homage makes it a surprisingly enjoyable page-turner.