David Farnor | On 25, May 2015

Bank Holidays were made for BBC iPlayer. The Beeb certainly seems to think so: the broadcaster, which is currently celebrating the 25th anniversary of BBC Films, has added no fewer than 22 movies to its streaming line-up, following their broadcast on TV, which may well be some kind of record.

From Alpha Papa and Margin Call to Robot & Frank, the range of films alone is impressive enough – let alone the vast array of catch-up TV (W1A and Jonathan Strange remain a highlight), original poetry and exclusive content. Would you prefer to stream Jo Brand’s tour of Turner Contemporary or guffaw as Frankie Boyle’s scathingly funny Election Autopsy?

Either way, iPlayer’s got you covered.

Jonathan Strange & Mr. Norrell

This lavish production, based on Susanna Clarke’s novel, is an amusing and intriguing delight. The tale of two magicians in Georgian England boasts two excellent performances from Bertie Carvel (the arrogant, clumsy Strange) and Eddie Marsan (the reclusive, nervous Norrell) and a sharply condensed script from Peter Harness, which leans on period drama tropes to sell its parallel history of England. But the programme’s real power lies in its ability to build the extraordinary out of the ordinary. Director Toby Haynes presents a world that is wholly believable, grounding the story’s magic in practical, everyday objects; an approach that makes the incredible surprisingly credible. Read our full review.

Available until: 16th June (Episode 1)

Photo: BBC /Todd Antony

Episodes: Season 4

Sean and Beverly’s Hollywood career refuses to die as they are dragged back from London to make six more episodes of Pucks! The sight of everyone’s miserable faces – and Matt LeBlanc’s ever-amusing take on himself (especially after losing half of his money) – is more than enough to keep the return of this sitcom a pleasant treat. A depressingly believable take on the incompetency of the entertainment business, it makes for a perfect double-bill with W1A.

Available until: 10th June (Episode 1)

Photo: BBC / Hat Trick

Alan Partridge: Alpha Papa

North Norfolk’s finest radio DJ ends up in a siege in this feature-length outing. A big-screen adventure that keeps things decidedly small, Alpha Papa impresses not because of its laugh count but because of its surprisingly mature take on Steve Coogan’s ageing non-celebrity, which emerges as something tender as well as silly.

Available until: 15th June

Shark

“Think torpedo with teeth.”

If the title of the BBC’s new nature series – simply “Shark” – doesn’t grab you by the teeth, the fact that it’s narrated by Paul McGann will have you falling for it hook, line and sink. Typically beautiful and full of fun names to repeat to your friends, this is Jawsome stuff.

Available until: 9th June (Episode 1)

Photo: BBC / Morné Hardenberg / Atlantic Edge Films

Mary Berry’s Absolute Favourites

Everyone’s favourite floral bomber jacket wearer Mary Berry returns to our TV screens once again with this new cookery show. The recipes are inspired by her childhood memories – including one interlude showing how to make ice cream – but it’s her no-nonsense presenting that makes her so easy to watch. The odd candid shot of her attempting to lick the spoon between takes only cements her status as a national treasure.

Available until: 15th June (Episode 1)

Photo: BBC / Shine TV

Women Who Spit

“Your shabby, slipped-stitch mistakes make you miraculous,” spits Vanessa Kisuule in a short poem urging women to stop shrinking back and to take up space. It’s one of countless brilliant lines you’ll hear during this series of short films, which see female poets tackle topics facing young people today.

Cecilia Knapp’s explanation of why she writes is inspiring, Deanna Rodger’s look at those forced off the street is provocative, while Jemima Foxtrot’s double-performed examination of confidence and doubt is an entertaining and powerful reminder of the importance of self over surface. Each are excellent performers, leaving your tongue tripping back over syllables to savour their taste, but keep Megan Beech’s passionate cry for more women on our TV screens until last: after the previous four fantastic compositions, you’ll be hard pushed not to agree.

Important and urgent, this collection shows just how valuable BBC iPlayer can be as a platform to voices that should be heard more often.

Available until: May 2016

Photo: BBC/Thomas Caron Delion

The C Word

“Being diagnosed with cancer is like being told you have 20 minutes to revise for an A Level in a language you’ve never learned.”

Sheridan Smith is as heartbreakingly brilliant as ever in this adaptation of Lisa Lynch’s candid book (based on her blog) about her fight with cancer. Following her diagnosis, Smith’s bolshy charisma is the perfect fit for Lynch’s positive approach to life: you’ll laugh as much as you cry, as she jokes with doctors and friends, while Paul Nicholls brings empathy to the role of her husband, Pete. Sensitively scripted and sincerely performed, this is an honest piece of TV that never once feels mawkish or contrived.

Available until: 2nd June

Photo: BBC/Stuart Wood

Murder in Successville

BBC Three’s improvised murder mystery comedy sees DI Sleet joined by a variety of celebrity guest stars to solve a crime. In Episode 1, it’s Made in Chelsea’s Jamie Laing, who has to work out who shot restauranteur Bruno Tonioli. He finds himself surrounded by other celebrities – Alan carr, Taylor Swift – but these are played by impressionists. And so the chaos begins, throwing the unsuspecting sidekick into scenarios that increasingly ridiculous.

The jokes are often on the disappointingly crude side, but as much fun as it is to see Tom Davis growl his way through over-the-top cliches, the real enjoyment lies in seeing Laing fail to keep a straight face. Is corpsing a mark of the hit-and-miss “script” failing or the production working? Either way, it’s absurdly high concept and unabashed silliness make this original idea exactly the kind of thing that BBC Three will hopefully continue to produce as it moves towards its online-only future. Call it Murder in Semi-Successville.

Available until: 25th June (Episode 1)

Photo: BBC/Tiger Aspect/Ollie Upton

The Game

There are two requirements to be a spy: 1. You have to look good in a coat with the collar turned up. 2. When something dangerous happens involving a new recruit or innocent bystander, you have to turn to them and say: “Welcome to MI5.”

Tom Hughes as Joe Lambe nails both in the opening episode of this period thriller.

Set in 1972, The Game is full of Cold War fun, from nasty Russians and executed former lovers to people hiding in cupboards. Brian Cox brings gruff edge to the secret service’s “Daddy”, but it’s Lambe who proves the most fascinating, as Toby Whithouse’s script jumps back and forth to question whether he’s all he appears to be. The low-key on-foot chases are shot with the expected style by Niall MacCormick. It’s all by-the-numbers stuff – and leaves you longing for The Hour – but Hughes’ enigmatic face keeps you glued to the screen.

Available until: 30th May

Photo: BBC/Des Willie

BBC Four’s Go Slow

BBC Four’s Go Slow season celebrates TV that moves at a snail’s pace. While it might frustrate those more used to Game of Thrones or House of Cards, that’s precisely the point: this is serene programming to counter the rise of rapid binge-viewing and rushed lives. They don’t even come with voice over narration.

Does it make for good viewing? That depends, perhaps, on what you pick. Handmade: Glass (followed by Handmade: Steel) is a 30-minute look at Michael Ruh creating a simple glass jug. Cutting between hidden vantage points in his steamy workshop, there is something admirable and oddly hypnotic in the repetitive motions of the intricate process, like being given a private tour on a holiday in the Isle of Wight.

All Aboard! The Canal Trip is a longer affair, taking a two-hour, uninterrupted cruise on a barge down the Kennet and Avon Canal. The fixed camera is offset by trivia titles that appear overlaid on bridges and water (boats were once charged by the ton as well as by the mile, fact fans) but without much interesting scenery to take in, you find your attention levels sinking.

More successful is Dawn Chorus: The Sounds of Spring, which captures birdsong in three locations as the sun rises. The changing environments help to mix things up, but the pretty noise of nature (combined with a bit of text-aided bird-watching) is the star of the show: this is the kind of thing you can leave to play on a tablet while you doze in bed, recovering from the trauma of the latest wedding in Westeros.

Available until: 4th June

Photo: BBC

W1A

“That’s all good, then,” says Ian Fletcher, Head of Values at the BBC after another unproductive group discussion. For anyone who watched mockumentary Twenty Twelve – or saw Season 1 of this Beeb-themed follow-up – Hugh Bonneville’s defeated catchphrase will fall on familiar ears. What it actually means: absolutely nothing’s good at all.

Fletcher rushes about New Broadcasting House at the start of Season 2, as the team prepare for a visit from Prince Charles and try to deal with a Jeremy Clarkson scandal, but it’s not the topical plots that make W1A so funny to watch: it’s the constant barrage of double-speak. “Yep, OK,” they all say over each other, never letting anyone actually make progress. The words may change – “Cool,” says clueless intern Will (the hilarious, scarf-wearing Hugh Skinner) – but the message is the same. Every time anyone speaks, they say nothing. Every time a meeting happens, it achieves nothing. And the more people speak – and the longer the meetings run – the less anything is actually said or done. It’s like watching a sitcom by Pinter or Beckett.

The cast deliver this intelligently stupid anti-language with wonderfully deadpan performances. Queen of it all is Jessica Hynes as PR guru Siobhan Sharpe, who agrees with every statement that comes out of anyone’s mouth. “Don’t think, just say things!” she enthuses, during one brainstorming session to help re-brand the BBC’s tennis coverage (the word “WINbledon” comes up). As things descend into talk of monkeys and butter, and events climax in an inspired dash through the corridors between New and Old Broadcasting House, W1A announces its return with a superbly conceived piece of verbal and physical farce. That’s all good, then.

Available until: 27th May (Episode 1)

Photo: BBC/Jack Barnes

Car Share

Peter Kay fans will be pleased with the comedian’s debut show on the BBC, which sees his well-meaning supermarket employee drive to work every day with a colleague. The humour between the odd couple is nothing new, but the affection between the pair is endearing enough. For all its banal, middle-of-the-road familiarity, though, there’s an innovative web series hidden in here somewhere. Read our full review

Available until: 31st May (Episode 1)

Frankie Boyle’s Election Autopsy

“Conservative voters you have ruined this country… with your dreams of swimming with dolphins, who at best will only feel indifferent towards you.” Frankie Boyle takes to BBC iPlayer once again after his Scottish Referendum special to dissect the result’s of this year’s general election. The online-only approach is a great fit for Frankie, who launches into a scathing tirade about Tories and Tory voters with the enjoyable air of someone deemed too hot for TV. Away from the edited constraints of something like Mock the Week, his wit really comes to the fore, not to mention his braying laugh, which only enforces the feeling that he’s really enjoying himself. The fact that his guest comedians – Sara Pascoe and Katherine Ryan – are all women (apart from two young boys who play guess-the-politician and poet Akala) only makes this 45 minutes even more impressive. Here’s hoping the Beeb bring out Boyle for all major events.

Available until: 16th June

Photo: BBC / Endemol Shine UK / Brian Ritchie

Private View – Jo Brand on Grayson Perry

The fifth entry in BBC iPlayer’s always interesting Private View series continues to open doors on exhibitions that might otherwise be out of reach for viewers. Here, Jo Brand gets exclusive access to the latest exhibition of Grayson Perry’s work at Turner Contemporary in Margate. Jo takes us on a personal tour around the artist’s early pots, prints, tapestries and sculptures – sharing her admiration for his ability to turn outrageous social observation into beautiful works of art.

Available until: 22nd June

Great Expectations

Mike Newell’s handsome adaptation of the classic Dickens tale – starring a deliberately understated Helena Bonham Carter as Miss Havisham – lets Pip and Estella’s anti-romance take centre stage, with two stellar turns from Jeremy Irvine and Holliday Grainger.

Available until: 22nd June

The History Boys

Alan Bennett’s superb stage play is turned into an equally excellent film, with the inimitable Richard Griffiths as Hector, a history teacher trying to coach a class of 1980s Yorkshire lads into successful Oxbridge candidates. If the clash of backgrounds recalls Dead Poets Society, it is no bad thing, as Bennett takes the sentiment of carpe diem out of the present and into a uniquely British and altogether moving future: sometimes all you can do is pass it on.

Available until: 21st June

Made in Dagenham

The fantastic Sally Hawkins is wonderful in this comedy drama charting the fight of female factory workers at the Ford Dagenham plant for equal pay in 1968. Its period-accurate language landed it a 15 certificate from the BBFC, but there is much to inspire young girls in this stirring gem.

Available until: 15th June

Robot and Frank

“That thing’s gonna murder me in my sleep.”

That’s Frank (Langella) after meeting his robot, Robot. Frank, you see, is not a nice old man. He may be losing his marbles, but he’s not letting them go lightly. As for Robot, well, he’s a robot. What’s amazing about Jake Schreier’s movie is just how much it makes you care about both of them. A smart, sweet look at ageing, memory, death… and robots.

Available until: 28th May

Man of the Year

Barry Levinson’s political comedy-drama offers one more chance to appreciate the late, great Robin Williams as a satirical radio show host, who makes an audacious bid for the presidency of the USA – and, thanks to a voting glitch, is swept into the Oval Office.

Available until: 30th May

Mrs. Henderson Presents

In 1937, a widow buys a derelict West End theatre and hires an impresario to run it, but her idea of using on-stage nudity to attract audiences causes problems. Stephen Frears’ film is harmless fun, worth watching just to see Will Young, Bob Hoskins and Judi Dench on screen together.

Available until: 28th May

King of Devil’s Island

Stellan Skarsgard is formidable in this bleak drama about the true story of a rebellion in a boys’ home on a Norwegian island in the early 20th century – a string of events that are kick-started by the arrival of new inmate Erling, who is not cowed by the firm discipline of housefather Brathen. Tense, chilling stuff.

Available until: 30th May

Salmon Fishing in the Yemen

Ewan McGregor and Emily Blunt bring a surprising amount of charm to this whimsical, flimsy tale of an advisor at the Department of Fisheries, who is hired by the assistant to a wealthy Yemeni client to create a salmon fishing paradise in his home country – something that he deems nigh impossible.

Available until: 8th June

In the Loop

Armando Iannucci’s scathing political satire leaps from the small screen to the big with the hysterical tale of how a bumbling British MP (a never better Tom Hollander) accidentally becomes involved in launching international war with the USA. Peter Capaldi’s dark lord of profanity Malcolm Tucker is reason alone to tune in, but the supporting cast (including the late James Gandolfini) match him every sweary step of the way.

Available until: 15th June

Margin Call

Two young employees of an insurance company discover that their company is heading towards disaster in this tense financial drama. The cast boasts everyone from Kevin Spacey and Demi Moore to Paul Bettany and Stanley Tucci, but the film’s seemingly perpetual pertinence is what make it so important to watch.

Available until: 12th June

Bitter Lake

Adam Curtis’ bizarre, surreal, brilliant provocative documentary deconstructs the media’s presentation of politics and history with a dizzying complexity and a dark sense of humour. At over two hours, it’s a daunting watch, but an important one – not least because it showcases the potential for BBC iPlayer as a platform for bold, experimental work. (Read our full review)

Available until: 2016

Wallace and Gromit: The Wrong Trousers

Aardman’s man-and-dog duo have been a splendid source of stop-motion silliness over the years. While all of their outings are now on BBC iPlayer, it’s The Wrong Trousers that really excels, from its inspired premise (an evil penguin committing a jewellery heist) to breathtakingly imaginative action sequence, which sees Gromit piecing together a train set mid-chase.

Available until: 3rd June

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