Box Sets
Looking for your next binge? Box Set reviews will tell you whether a show’s worth watching, without spoiling the end for you – a handy guide to the best TV box sets on Netflix, Amazon Prime Video, DVD and more.
True Crime Tuesdays: White House Farm
February 25, 2020 | Helen Archer
ITV’s retelling of the 1985 White House Farm murders is a quietly devastating and sensitively told true crime drama.Read More
I Am Not Okay with This review: A must-see
February 25, 2020 | Laurence Boyce
Funny, gripping and genuinely surprising, Netflix’s stylised, suspenseful series subverts and reinforces genre expectations.Read More
Why you should be watching Baghdad Central
February 24, 2020 | Ian Winterton
A fantastic cast and first-rate script make for a gripping and thought-provoking thriller.Read More
Netflix UK TV review: Titans Season 2
February 23, 2020 | Matthew Turner
The second season of Titans improves on the first, delivering exciting action, dark humour and compelling villains.Read More
Why you should be watching King Gary
February 16, 2020 | David Farnor
Tom Davis is hilarious in this brilliantly observed comedy that has laughs and warmth in abundance.Read More
Why you should watch Visible: Out on Television on Apple TV+
February 16, 2020 | David Farnor
This superb documentary about the LGBTQ+ movement and TV is thoughtful, thoroughly researched and hugely entertaining.Read More
This Country Season 3 review: A poignant and hilarious farewell
February 16, 2020 | David Farnor
BBC Three’s mockumentary bids a hilarious yet poignant farewell with its funniest season yet.Read More
Why you should be watching BBC One’s The Split
February 11, 2020 | David Farnor
A fantastic Nicola Walker leads a top-notch cast in this believably messy legal drama.Read More
Why you should be watching Shakespeare and Hathaway
February 9, 2020 | Brendon Connelly
BBC One’s Bard-tinted murder-mystery series is top-tier entertainment no matter what time of day it is.Read More
The Pale Horse review: A haunting, stylish mystery
February 9, 2020 | David Farnor
Sarah Phelps’ final Agatha Christie adaptation is a haunting, stylish mystery dripping with ghostly dread.Read More
