This week’s new releases on BFI Player+ (1st July 2017)
Staff Reporter | On 01, Jul 2017Reading time: 3 mins
Heard of BFI Player? Well, there’s also BFI Player+, a subscription service that offers an all-you-can-eat selection of hand-picked classics.
Every Friday, Mark Kermode highlights one of the collection’s titles with a video introduction. This week, it’s Edith Walks. Shot with Super 8 iPhone apps, featuring Iain Sinclair and Alan Moore, Andrew Kotting’s latest experimental documentary is inspired by a walk from Waltham Abbey in Essex via Battle Abbey to St Leonards-on-Sea in East Sussex – a pilgrimage carried out in memory of Edith Swan Neck. Just released in UK cinemas (and also available on MUBI), Mark salutes the typically idiosyncratic and utterly mesmerising work, which he describes as a “poetic, historical, metaphysical odyssey which takes us from 1066 to the present day”.
What else is new? Here are the latest titles on BFI Player+ this week:
Kelly + Victor
Sex. Drugs. Strangling. Anything that distracts from everyday life is the order of the day for Kelly (Antonia Campbell-Hughes) and Victor (Julian Morris) in this low-key, bitter drama. The young couple meet at a nightclub in Liverpool and almost immediately hit it off. In a very naughty sense of the word. Read our full review
It looks like the quaint village of Byway will be bulldozed to make way for a motorway – until alien outcast Kadoyng arrives from Outer Space to help.
The Battles of Coronel and Falkland Islands
The BFI’s restoration of Walter Summers’ silent film, which was made in 1927, depicts two significant battles in the First World War. The first, Coronel, took place on 1st November 1914 and saw the Germans sink two British ships: HMS Monmouth and HMS Good Hope. More than 1,500 souls perished, prompting a retaliatory strike six weeks later by British tactician Admiral Fisher who sent two large battle cruisers, Invincible and Inflexible, to the South Atlantic to restore British supremacy.
Filmed on battleships supplied by the Admiralty with no models or trick photography, Summers’ film is shot through with realism, excitement and – most of all – respect for both sides of the battle. It’s a rousing war movie and a tribute to all those who fought in the conflict of WWI. Read our full review.
A Summer + 50
Key participants discuss the making of influential cinéma vérite documentary Chronicle of a Summer. Includes unused footage from the film.
Don’t be misled by the title. While ‘amour fou’, in the popular imagination, refers to steamy affairs and passionate flings, Jessica Hausner’s austere drama prefers to focus on the literal translation of the phrase: insane love. It is the true-life story of 19th century Prussian writer Heinrich Wilhelm von Kleist (Friedel), so disenchanted by life he sought a companion willing to join him in a suicide pact, and his attempts to persuade married hausfrau Henriette Vogel (Schnoeink) to be ‘the one’. Who says romance is dead, eh? Read our full review.
Chronicle of a Summer
Jean Rouch and Edgar Morin’s documentary does exactly what it says on the tin, following life in 1960s Paris – and influencing the cinéma-vérité movement as a result.
An excruciating look at what happens to one man’s life when a child wrongfully says he abused her, Thomas Vinterberg’s drama boasts an incredible performance from Mads Mikkelsen and prescience that shows no sign of fading. Devastatingly brilliant. Brilliantly devastating. Read our full review.
A BFI Player+ subscription costs £4.99 a month with a 30-day free trial. For more information, visit http://player.bfi.org.uk.