Posts By Josh Slater-Williams
MUBI Mondays: Meek’s Cutoff (2010)
November 30, 2020 | Josh Slater-Williams
Kelly Reichardt’s deliberately slow-paced revisionist Western is an acquired taste, but one that rewards revisits.Read More
Kinoteka Festival film review: Charlatan
November 22, 2020 | Josh Slater-Williams
Agnieszka Holland’s healer biopic refrains from a simple diagnosis of its subject.
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MUBI Mondays: The Hitch-Hiker (1953)
November 16, 2020 | Josh Slater-Williams
Ida Lupino’s three-hander desert noir is a taut thriller worth your time.Read More
The Babysitter: Killer Queen: How not to make a horror sequel
October 31, 2020 | Josh Slater-Williams
Wrecking its predecessor’s characters, The Babysitter: Killer Queen is an unpleasant example of how not to make a horror sequel.Read More
MUBI Mondays: Four Flies on Grey Velvet (1971)
October 26, 2020 | Josh Slater-Williams
Dario Argento’s early Giallo is a thrillingly weird tale of murder.Read More
MUBI Mondays: Amateur (1994)
October 12, 2020 | Josh Slater-Williams
Amateur is a fine starting point for the idiosyncratic worlds of Hal Hartley. Read More
LFF 2020 film review: Eyimofe (This Is My Desire)
October 11, 2020 | Josh Slater-Williams
The Esiri brothers’ arresting debut feature is an evocative portrait of Lagos.Read More
MUBI Mondays: Something in the Air (2012)
September 28, 2020 | Josh Slater-Williams
Olivier Assayas’ portrait of youth in revolt is an absorbing demystification of an era.
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VOD film review: Tesla
September 24, 2020 | Josh Slater-Williams
The most idiosyncratic biopic since I’m Not There.
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VOD film review: Barking Dogs Never Bite
September 18, 2020 | Josh Slater-Williams
Bong Joon-ho’s previously unreleased debut feature is more welcome curio than lost classic.Read More
